Rebecca by Daphne du Maurier (Guest Shana Kelly): Part 2

Send us Fan MailShana Kelly began her career as a literary agent at the William Morris Agency in New York and London for 10 years. She currently works as a documentary screenwriter, book editor, writer, and publishing consultant. She also teaches at Denver-based Lighthouse Writers Workshop.In 2024, Shana won an Emmy for writing A Towering Task: The Story of the Peace Corps, a historical documentary that aired on PBS in 2023. She is currently writing a historical documentary about the League of Women Voters.Shana Kelly joins Tea, Tonic & Toxin to discuss Daphne du Maurier’s Rebecca. Learn more below!Get your book here!Watch clips from our conversation with Shana!Join our  brand new  Patreon community here! It's free to join, with extra perks for members at every level.Reader Response: Did you enjoy Rebecca? Had you read it before, or was this your first time?Gothic SettingGothic fiction is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present (Je Reviens). Reminders of the past, like ruined buildings, signify a previously thriving world that’s decaying.In the narrator’s dream, Manderley is overtaken by unnatural growth: “Nature had come into her own again and … in her stealthy, insidious way had encroached upon the drive with long, tenacious fingers. The woods, always a menace even in the past, had triumphed in the end. They crowded, dark and uncontrolled, to the borders of the drive.”In the dream, she sees plants, once cultured. “No hand had checked their progress, and they had gone native now, rearing to monster height without a bloom.”Daphne du Maurier uses the weather to signal and even drive the events in the novel. The wind is often a friendly presence, and stillness brings with it a sense of doom. The fog plays a role in the shipwreck that exposes Rebecca’s boat and corpse. Many characters hope for rain throughout the book. There are repeated references to fire as well, which seems connected to Rebecca (as well at the color red, see below).They enter Manderley up a serpent drive (it reminds her of the forest path in a Grimm’s fairy tale, surrounded by bloodred rhododendrons (powerful monsters). There is no sense of beauty in this jungle growth. “That tangle of shrubs there should be cut down to bring light to the path. It was dark, much too dark. … The birds did not sing here.”How is Daphne du Maurier using Gothic tropes in the book? What are your thoughts about the sense of loss and physical/spiritual exile in the opening pages?Support the showhttps://www.instagram.com/teatonicandtoxin/https://www.facebook.com/teatonicandtoxinhttps://www.teatonicandtoxin.comStay mysterious...