EPISODE · Nov 4, 2020 · 1H 11M
Rewind: Amy Greenfield
from Frameform · host Jen Ray, Clare Schweitzer, Hannah Weber
While Maya Deren can be called the mother of modern day screendance practice, Amy Greenfield can be seen as its godmother. Throughout a career spanning over five decades, Greenfield has developed a practice and visual style scaffolded on ideas of agency and the dissolution of hierarchies within traditional film work. She is also influential with her work in curation. In 1983, she and Elaine Sumners curated the Filmdance festival event which included reflections on the dance film form from other artists creating work in that vein at the time. The precedent she set as an independent artist-curator is one followed by many today. We discuss her work, her legacy, and the challenges of access to information on the rich and varied history of dance film. -- Films Transport (1970) ELEMENT (1971) DP. Hillary Harris TIDES (1972) DP. Hillary Harris Nine Variations on a Dance Theme (1966) Director/DP: Hilary Harris Performer: Bettie de Jong -- Sources Flesh Into Light: The Films of Amy Greenfield Robert A. Haller (2012) Women's Experimental Cinema: Critical Frameworks Ed. Robin Blaetz (2007) Filmdance 1890s-1983 Amy Greenfield, Elaine Sumners, et al. (Check Worldcat Library listings, currently available on Amazon for $80) -- Screenings dança em foco - Festival Internacional de Vídeo &Dança Rio de Janeiro, Brazil Nov 2, 2020 Online 5th Annual Dance On Screen Festival Graz, Austria Nov 20 - 21, 2020 Live In-Person Event --
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Rewind: Amy Greenfield
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