ROBERDUB RADIO - HIGHER REGGAE UPFULNESS SOUNDz by ROB le DUB

1 ROB & ANGz DUB - (HaPpY BIrThDaY 2019)2 by ROB le DUB 2 Beat The System - (10" Irieland Music) by Soultrain 3 Armageddon Version by Prince Far I & Black Skin 4 Hardcore Loving. 1990 by J C Lodge & Shabba Ranks 5 Give Thanks (Harmony) Sad Streetz Riddim (TJ REC) OCT 2010 by Vybz Kartel 6 Give Me a Dubplate (Original Mix) [Smokers Inc 1997] by Rude & Deadly 7 Get Ready (feat Rebel MC & Tenor Fly & Daddy Freddy & Nanci Correia) by Congo Natty 8 Step Away by Jennifer Barrett 9 concrete_jungle_FINALMaster by Zabloxz Miller 10 Call up wi name ( Raw ) (Call Up Wi Name { ALBUM } by Jah Be 11 Drive Yuh Hearse by Jah Be 12 Shot A Fiya by Jah Be 13 Pink and White by Jah Be 14 Every Time by Jah Be 15 Blood Money by Jah Be 16 Jah Jah Rule (Tempo Riddim) by Burro Banton 17 Praises to the King........... by Prince Jaabaal 18 hailing-jah-jah-mix-tape-version-2 by Prince Jaabaal 19 NOT A RUDE BOY......... by Prince Jaabaal 20 i-hope-and-pray-mix-tape-version by Prince Jaabaal 21 Love D Ganja 2............ by Prince Jaabaal 22 run-come-rally by ras-michael & dadawah 23 run-agressors-run-1973 by ras-michael-with-the-sons-of-negus 24 love-light-crucial-version-1979 by The Tamlins 25 Till Death by Gianna 26 EASY by Teacha Mike ft.Gianna 27 They Dont Really Care by Gianna 28 Jah Jah Way by Sis Nya 29 Jah Jah Dub by Sis Nya 30 once-a-virgin-modelling-queen-version by Eek A Mouse 31 Terrorists In The City 12" Mix 1983 by Eek A Mouse 32 The Mouse & The Man by Eek A Mouse 33 God Nah Sleep by David Powell 34 Relationship Still Alive by David Powell 35 royal princess M by Zabloxz Miller 36 Lady & Dub For Lady by Otis Gayle Dancehall music, also called ragga or dub, style of Jamaican popular music that had its genesis in the political turbulence of the late 1970s and became Jamaica’s dominant music in the 1980s and ’90s. Central to dancehall is the deejay, who raps, or “toasts,” over a prerecorded rhythm track (bass guitar and drums), or “dub.” The seductive chant of the dancehall deejay—part talking, part singing—came to prominence in the late 1970s but dates from as early as 1969, when U-Roy experimented with talking over or under a “riddim” (rhythm). This multimodal African diasporic style also is evident in the hip-hop music of North America, and the origins of both can be traced to West African performance modes. The rise of deejay Yellowman in the early 1980s marked the transition from reggae to dancehall music that took place in Jamaican nightclubs. a resurgent Rastafarian consciousness was exemplified in the work of Buju Banton, Anthony B, and Sizzla. Page en.wikipedia.org/wiki/Dancehall