S19E5 – Romance and Drunkenness episode artwork

EPISODE · Feb 15, 2021 · 10 MIN

S19E5 – Romance and Drunkenness

from Writing Roots · host Writing Roots

No matter the genre, using scenes that focus on character emotions can help drive a plot through the second act. Sometimes this comes with romantic dates that end in mishaps or misery. Sometimes it means a character gets drunk or otherwise inhibited and reveals a secret. Either of these devices can give authors more depth to the story, to the characters, and to the plot. In this episode, Ley and Leigh discuss why romantic scenes in the middle shouldn’t end well, and how alcohol can play a part in making that happen. First aired February 15, 2021. The post S19E5 – Romance and Drunkenness appeared first on Writing Roots.

Episode metadata supplied by the publisher feed · Published Feb 15, 2021

No matter the genre, using scenes that focus on character emotions can help drive a plot through the second act. Sometimes this comes with romantic dates that end in mishaps or misery. Sometimes it means a character gets drunk or otherwise inhibited and reveals a secret. Either of these devices can give authors more depth to the story, to the characters, and to the plot. In this episode, Ley and Leigh discuss why romantic scenes in the middle shouldn’t end well, and how alcohol can play a part in making that happen. First aired February 15, 2021. The post S19E5 – Romance and Drunkenness appeared first on Writing Roots.

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The Ultraspeaking Podcast Tristan de Montebello, Michael Gendler The Ultraspeaking Podcast explores modern-day solutions to greater confidence, skill, and ease when speaking at work. Each episode features the founders, Tristan and Michael, as they detail unconventional strategies to thrive under pressure and speak with less preparation. Working on hand-gestures and eye contact is OUTDATED advice. Writing a script or creating a structure is a TRAP.It’s time for a better way. Join the Ultraspeaking movement and you’ll never look back. WW2 - the Key Questions, answered by Laurence Rees. Laurence Rees A former Head of BBC TV History programmes, Laurence has specialized in writing books and making television documentaries about World War Two, the Nazis and Stalinism for thirty years. He won a BAFTA and a Peabody for his TV series 'The Nazis: A Warning from History' and a British Book Award for his book on Auschwitz, which is also the world's best selling book on this notorious camp. His book 'the Holocaust: A New History' was described by the Times as 'exemplary' and by the Daily Telegraph as 'the best single volume account of the atrocity ever written'. Educated at Oxford University, for several years he was a visiting senior fellow at the London School of Economics, London University. He holds honorary doctorates from the University of Sheffield and the Open University. Professor Robert Service, of Oxford University, described Rees as 'one of the world's experts on the Second World War'. Sir Max Hastings wrote in the Sunday Times, in a review of Laurence Rees' 'World War Two: Behi Hot Copy Kate Toon & Belinda Weaver The Hot Copy podcast is a collaboration between seasoned copywriters Belinda Weaver and Kate Toon.Tune in for copywriting tips, shortcuts, writing resources, interviews and laughs. All focused on helping you become a better copywriter. The Writers' Show Geoff Hughes A podcast about writing, featuring interviews with authors and songwriters at all levels of success.Inspiring and successful authors reveal the secrets about writing, creativity and the business of independent publishing and songwriting.Featuring interviews with successful authors and songwriters excited to share the journey from idea to published book and song.Host Geoff Hughes is the founder of Madhouse Media PublishingMore info on the Writers Show Website

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This episode was published on February 15, 2021.

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No matter the genre, using scenes that focus on character emotions can help drive a plot through the second act. Sometimes this comes with romantic dates that end in mishaps or misery. Sometimes it means a character gets drunk or otherwise inhibited...

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