S1E54 - Zooty Zoot Zoot!

CW GENOCIDE, and also a detailed discussion of a sex scene. Skip from 6:00 to 56:45 to skip Secrets of the Soul.We're joined by Richard Kreutz-Landry @rkreutzlandry! Lightbulb tweetstorm here.Descent into Midnight: @DIMrpgSecrets of the Soul: In which we discuss tentacle-to-glowing-ball ratios, telepath power creep, nurses in adverse working conditions (pak'ma'ra and telekinetic), telepath ORGIES and the least sexy sexposition ever, and some very questionable infosec policies. And then Ana murders Jude. And then they talk about the sex scene some more. Zathras suffered.A dramatic revelation about the director ensues.Day of the Dead:Written by Neil Gaiman?!? Jude agrees with Lochley, exactly once. G'Kar is rendered temporarily homeless by magical realism. For that matter, everyone gets visited by ghosts from their past. A crispy critter comes back to visit, making exactly zero people happy--Morden is upgraded from low-rent John Travolta to evil John Mulaney. Richard comes up with the dead-ex Ghostbusters corollary. Jude gets quite angry about the "humor". Much discussion of what could have been done with the Reebo and Zooty airtime instead. Jude politely requests "G'Kar/Picard on Risa" fics.Zooty zoot zoot!Connect with the show at @babylonpodjectHelp us keep the lights on via our Patreon!Justen can be found at @justenwritesAna can be found at @The_Mianaai, and also made our show art.Both Ana and Justen can also be found on The Compleat Discography, a Discworld re-read podcast.Jude Vais can be found at @eremiticjude. His other work can be found at Athrabeth - a Tolkien Podcast and at Garbage of the Five Rings."The Voice" of the Babylon Podject is provided by Alyson Grauer, who can be found at @dreamstobecomeClips from the original show remain copyrighted by Warner Bros, Inc. and are used under the Fair Use doctrine.Music attribution:The Descent by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4490-the-descentLicense: http://creativecommons.org/licenses/by/4.0/This show is edited and produced by Aaron Olson, who can be found at @urizenxvii