S6 Ep4: Imaginary Landscapes | Get Up, Stand Up Now episode artwork

EPISODE · Jun 11, 2019 · 31 MIN

S6 Ep4: Imaginary Landscapes | Get Up, Stand Up Now

from Somerset House Podcast · host Somerset House

#4 Imaginary LandscapesWhat is the place of Black diasporic art in Britain today? How do artists use imaginary landscapes to look to the future, break ground and envisage a world beyond? Can you imagine this alternative future? Artist Barby Asante in conversation with curator Paul Goodwin; artist, activist and collector of diasporic art CCH Pounder, alongside Get Up, Stand Up Now curator Zak Ové reflect, 50 years on from Baldwin’s Nigger (Horace Ové, 1969) in which African-American writer James Baldwin discussed Black experience and identity in Britain and America. Presented by spoken word artist Joshua Idehen with music by GAIKA.Featuring excerpts from Baldwin's Nigger, 1969 by Horace Ové, and an extract reading from Zora Neale Hurston's Their Eyes Were Watching God.Producer: Femi Oriogun-WilliamsThe series was produced by Reduced Listening and Somerset HouseBarby AsanteBarby Asante is an artist, curator and researcher. Her work is concerned with the politics of place and the histories and legacies of colonialism, producing projects that are collaborative and performative to stimulate dialogue on what is unheard or missing from cultural archives. Through creating social rituals and re-enactments she interrogates dominant narratives to think about migration, safe spaces in hostile cities and the overlooked everyday contributions of people of colour to our social, political and cultural understandings.Paul GoodwinWorking as a curator at Tate Britain from 2008 to 2012 Goodwin directed the pioneering Cross Cultural Programme that explored questions of migration and globalisation in contemporary British art through a programme of international conferences, workshops, talks and live art events. His curatorial projects include a number of internationally significant exhibitions including: Migrations: Journeys Into British Art, Tate Britain 2012; Thin Black Line(s), Tate Britain, 2011; Coming Ashore, 2011, Berardo Collection Museum in Lisbon, Portugal; Afro Modern: Journeys Through the Black Atlantic (consultant curator), Tate Liverpool, 2010; Underconstruction, Hospital Julius De Matos, Lisbon, Portugal, 2009. In 2013 he curated Charlie Phillips: The Urban Eye at New Art Exchange, Nottingham which was long-listed for the Deutsche Börse Photography Prize 2014.CCH PounderCCH Pounder’s diasporic collection includes approximately 500 works of art. It aims to capture the temperament of the times through which she has lived. With a career spanning over 40 years, the actress was first celebrated for her strong female roles in television shows such as ER, The Shield and Sons of Anarchy, as well as films including Avatar, Orphan and Baghdad Café. Pounder opened an art gallery in Los Angeles, the Pounder-Kone Art Space and founded with her late husband Boubacar Kone the Musée Boribana, the first privately owned contemporary art museum in Dakar, Senegal. It featured works by local artists and pieces from the African diaspora including the United States, Jamaica, Guadeloupe and Haiti.GET UP, STAND UP NOWGENERATIONS OF BLACK CREATIVE PIONEERS12 Jun – 15 Sep 2019A major new exhibition celebrating the past 50 years of Black creativity in Britain and beyond.Beginning with the radical Black filmmaker Horace Ové and his dynamic circle of Windrush generation creative peers and extending to today’s brilliant young Black talent globally, a group of around 100 interdisciplinary artists will showcase work together for the first time, exploring Black experience and influence, from the post-war era to the present day.https://www.somersethouse.org.uk/whats-on/get-up-stand-up-now

Press play and listen up to the Get Up, Stand Up Now podcast series. A crafted sound odyssey over five episodes, guided by the voices of black creative pioneers featured in the exhibition, Get Up, Stand Up Now.

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S6 Ep4: Imaginary Landscapes | Get Up, Stand Up Now

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#4 Imaginary LandscapesWhat is the place of Black diasporic art in Britain today? How do artists use imaginary landscapes to look to the future, break ground and envisage a world beyond? Can you imagine this alternative future? Artist Barby Asante...

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