Salimata | S5 Episode 44

If you'd like to see full video of this and other episodes, join the Reel Notes Patreon at the Homie ($5/month) tier or higher. Each episode is also available to buy individually for $5 (BUY IT THROUGH A WEB BROWSER OR THE PATREON ANDROID APP, NOT VIA THE PATREON iOS APP. YOU'LL GET CHARGED EXTRA MONEY AND IT WILL TAKE LONGER TO PROCESS.) You also get early access to episodes, an invite to our Discord server, access to the Reel Talk movie night archives, and more! My guest this week is New York rapper Salimata. We spoke about Frankenstein, the Puppet Master movies, The Departed, why she prefers movies that have bad or sad endings to happy endings, how she’s come to appreciate French film since she’s moved to France, starting rapping in the Tumblr era, linking with MIKE and 10k, refining her style, and the creative process behind her latest album The Happening, out now on 10k Global. Come fuck with us. The Happening is available wherever music is sold, streamed, or stolen. Consider copping directly from Salimata's Bandcamp. Follow Salimata on Instagram (@eet_it_off_me) and Twitter (@eat_it_offme). My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon. Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green.  Follow Hearing Things at hearingthings.co or @hearingthingsco on all platforms.     Support the show