EPISODE · Mar 1, 2025 · 55 MIN
Sarah Chihaya — Bibliophobia - with Glory Edim
from Politics and Prose Presents · host Politics and Prose
Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect "Life Ruiners".Her Life Ruiner, Toni Morrison's The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah's deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition, and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives?Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.PURCHASE BOOK HERE: https://politics-prose.com/book/9780593594728?ic_referral=aZlMb8ysIebzFtvcbDHymh67vJu4LDHpR0SSgUbs2kcwMziuzB4UZ2XzRVPpRjI3HPfwGLF1bQS7Ey_QenzwVoRBAsJuK2MigtQoEuZjOjahmCY2umzDRMcDTT05ZMd8spQxOgSarah Chihaya is a book critic, essayist, and editor. Her work has appeared in The New Yorker, The New York Review of Books, The Nation, New York magazine, The Atlantic, and The Yale Review, among other places, and she is the co-author of The Ferrante Letters: An Experiment in Collective Criticism. She has taught at Princeton University, New York University, and UC Berkeley. She is currently a contributing editor at Los Angeles Review of Books and lives in Brooklyn.Chihaya is in conversation with Glory Edim, a literary tastemaker, entrepreneur, and advocate for diverse voices in literature. In 2015, she founded Well-Read Black Girl (WRBG), an online platform and book club dedicated to celebrating the works of Black women authors and creating a supportive online community for readers. Under Edim's leadership, WRBG has grown into a nonprofit organization, hosting events, book festivals, and author conversations that highlight the richness and diversity of Black literature. Her efforts have earned her accolades such as the 2017 Innovator's Award from the Los Angeles Times Book Prizes and the Madam C.J. Walker Award from the Hurston/Wright Foundation. As an author herself, Edim has contributed to the literary landscape with her bestselling anthologies Well-Read Black Girl: Finding Our Stories, Discovering Ourselves , and On Girlhood: 15 Stories from the Well-Read Black Girl Library and her recently published book Gather Me.*recorded 2/8/2025
What this episode covers
Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect "Life Ruiners".Her Life Ruiner, Toni Morrison's The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah's deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition, and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives?Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.PURCHASE BOOK HERE: https://politics-prose.com/book/9780593594728?ic_referral=aZlMb8ysIebzFtvcbDHymh67vJu4LDHpR0SSgUbs2kcwMziuzB4UZ2XzRVPpRjI3HPfwGLF1bQS7Ey_QenzwVoRBAsJuK2MigtQoEuZjOjahmCY2umzDRMcDTT05ZMd8spQxOgSarah Chihaya is a book critic, essayist, and editor. Her work has appeared in The New Yorker, The New York Review of Books, The Nation, New York magazine, The Atlantic, and The Yale Review, among other places, and she is the co-author of The Ferrante Letters: An Experiment in Collective Criticism. She has taught at Princeton University, New York University, and UC Berkeley. She is currently a contributing editor at Los Angeles Review of Books and lives in Brooklyn.Chihaya is in conversation with Glory Edim, a literary tastemaker, entrepreneur, and advocate for diverse voices in literature. In 2015, she founded Well-Read Black Girl (WRBG), an online platform and book club dedicated to celebrating the works of Black women authors and creating a supportive online community for readers. Under Edim's leadership, WRBG has grown into a nonprofit organization, hosting events, book festivals, and author conversations that highlight the richness and diversity of Black literature. Her efforts have earned her accolades such as the 2017 Innovator's Award from the Los Angeles Times Book Prizes and the Madam C.J. Walker Award from the Hurston/Wright Foundation. As an author herself, Edim has contributed to the literary landscape with her bestselling anthologies Well-Read Black Girl: Finding Our Stories, Discovering Ourselves , and On Girlhood: 15 Stories from the Well-Read Black Girl Library and her recently published book Gather Me.*recorded 2/8/2025
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Sarah Chihaya — Bibliophobia - with Glory Edim
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