Sarah Hall on Burntcoat episode artwork

EPISODE · Dec 23, 2021 · 58 MIN

Sarah Hall on Burntcoat

from The Shakespeare and Company Interview

This week Adam is joined by Sarah Hall, author of Burntcoat a novel of and for our times. Called “dark and brilliant” by Sarah Moss and “a masterpiece” by Daisy Johnson, much like the Japanese burnt timber technique evoked in the book, Burntcoat leaves readers scarred but fortified, more ready to face life’s elements.Buy Burntcoat here: https://shakespeareandcompany.com/I/9780571329328/burntcoatBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*You were the last one here before I closed the door of Burntcoat, before we all shut our doors.In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. Her life will draw to an end in the coming days.Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world.*Sarah Hall was born in Cumbria. Twice nominated for the Man Booker Prize, she is the award-winning author of six novels and three short-story collections: The Beautiful Indifference, which won the Edge Hill and Portico prizes, Madame Zero, winner of the East Anglian Book Award, and Sudden Traveller, shortlisted for the James Tait Black Prize for Fiction. She is currently the only author to be four times shortlisted for the BBC National Short Story Award, which she won in 2013 with ‘Mrs Fox’ and in 2020 with ‘The Grotesques’.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

This week Adam is joined by Sarah Hall, author of Burntcoat a novel of and for our times. Called “dark and brilliant” by Sarah Moss and “a masterpiece” by Daisy Johnson, much like the Japanese burnt timber technique evoked in the book, Burntcoat leaves readers scarred but fortified, more ready to face life’s elements.Buy Burntcoat here: https://shakespeareandcompany.com/I/9780571329328/burntcoatBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*You were the last one here before I closed the door of Burntcoat, before we all shut our doors.In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. Her life will draw to an end in the coming days.Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world.*Sarah Hall was born in Cumbria. Twice nominated for the Man Booker Prize, she is the award-winning author of six novels and three short-story collections: The Beautiful Indifference, which won the Edge Hill and Portico prizes, Madame Zero, winner of the East Anglian Book Award, and Sudden Traveller, shortlisted for the James Tait Black Prize for Fiction. She is currently the only author to be four times shortlisted for the BBC National Short Story Award, which she won in 2013 with ‘Mrs Fox’ and in 2020 with ‘The Grotesques’.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman’s Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Hosted on Acast. See acast.com/privacy for more information.

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Sarah Hall on Burntcoat

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This episode was published on December 23, 2021.

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This week Adam is joined by Sarah Hall, author of Burntcoat a novel of and for our times. Called “dark and brilliant” by Sarah Moss and “a masterpiece” by Daisy Johnson, much like the Japanese burnt timber technique evoked in the book, Burntcoat...

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