Season 2 Episode 3 –  My Voice Is In My Sword by Kate Elliot episode artwork

EPISODE · Apr 29, 2016 · 25 MIN

Season 2 Episode 3 – My Voice Is In My Sword by Kate Elliot

from Redshift · host PantsCommander

It is said that Macbeth is a cursed play, but will the curse follow an acting troupe to a distant world? Screw your courage to the sticking place, and prepare for My Voice Is In My Sword by Kate Elliot. The post Season 2 Episode 3 – My Voice Is In My Sword by Kate Elliot first appeared on Fancy Pants Gangsters.

Episode metadata supplied by the publisher feed · Published Apr 29, 2016

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Season 2 Episode 3 – My Voice Is In My Sword by Kate Elliot

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Mograph Podcast Mograph.com Join Matt Milstead of Mograph.com as he and guests discuss the world of Motion Graphics. With many regular, big-name guests from the industry. Regular topics are anything from Cinema 4D tips & tricks to features & woes. After Effects, Render Engines like Octane, Redshift and Arnold, or even Hardware configurations. We'll even get into industry discussions like clients, contracts, and work efficiency. Join us each week while we catch up on what we've learned and what we're learning. Helping Hands Gail Turner My love of music television kids tv and 80s and 90s music led me to present a live music show at Redshift Radio between 2013 to 2019 to listen to my old PickNMix shows please look for PickNMix show on www.RedshiftOnline.orgIn 2020 my interests slightly changed direction into helping others more frequently so I decided to do a podcast series called Helping Hands podcast which is shared on captivate iTunes Spotify and on www.Redshiftonline.org/helping-handsMy podcast series features guests who have helped themselves and others in the work that they do. Each episode has an accompanying playlist which has Five songs on that depict people’s life story Far Wide Radio Far Wide Radio Far Wide Radio translates telescope data into sound. Each programme works from a single James Webb Space Telescope (JWST) or Dark Energy Spectroscopic Instrument (DESI) spectral cube, read directly by custom-made algorithms — no illustration, no mood music laid over a picture.Four instruments make the series.A batch engine sonifies a chosen field of the data — brightness, gradient, boundary, obstruction, lines, flow, holonomy, anisotropy — on a fixed bench: image row becomes pitch, column becomes stereo position, wavelength becomes time. Sometimes these are rendered clean of the continuum the telescope sends with the signal; sometimes it is kept, for its harmonic effect.A spectral voice inverts that bench: wavelength becomes pitch rather than time, flux becomes loudness, and redshift becomes a downward transposition — so the further back the light comes from, the lower it falls.A sheaves-based motif finder selects passages by the rarity and uniqueness The Redshift Podcast The Redshift Podcast by The Redshift

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