EPISODE · Jun 18, 2015 · 1H 8M
Seconds • The Next Reel
from The Next Reel Film Podcast · host TruStory FM
“Time for a change." James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer’s 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer’s “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn’t work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn’t work for us in this unique sci-fi story. And we touch on Jerry Goldsmith’s music and how much we love — or hate — it in this film. It’s a bit of a divisive conversation this week, but a very fun one. Tune in! Film Sundries Dialog TranscriptOriginal theatrical trailerOriginal poster artworkArt of the TitleSeconds — by David ElyFlickchart Trailers of the WeekAndy’s Trailer: The Stanford Prison Experiment — “Having discussed Zimbardo’s experiment in our documentary ’The Joe Show,’ I was super excited to see the trailer for this film. The experiment is a frightening piece of American history and of the history of the psychology field, and it looks like they captured this very well. I can’t wait."Pete’s Trailer: Extinction — “Well, it’s a zombie flick so I pretty much have to pick it. But Matthew Fox I like, and Jeffrey Donovan we know from Burn Notice. I’ll give those guys a shot in an arctic apocalypse, sure." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBJustin "JJ" JaegerChadd StoopsFollow Steven Smart on LetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible
What this episode covers
“Time for a change." James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer’s 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer’s “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn’t work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn’t work for us in this unique sci-fi story. And we touch on Jerry Goldsmith’s music and how much we love — or hate — it in this film. It’s a bit of a divisive conversation this week, but a very fun one. Tune in! Film Sundries Dialog TranscriptOriginal theatrical trailerOriginal poster artworkArt of the TitleSeconds — by David ElyFlickchart Trailers of the WeekAndy’s Trailer: The Stanford Prison Experiment — “Having discussed Zimbardo’s experiment in our documentary ’The Joe Show,’ I was super excited to see the trailer for this film. The experiment is a frightening piece of American history and of the history of the psychology field, and it looks like they captured this very well. I can’t wait."Pete’s Trailer: Extinction — “Well, it’s a zombie flick so I pretty much have to pick it. But Matthew Fox I like, and Jeffrey Donovan we know from Burn Notice. I’ll give those guys a shot in an arctic apocalypse, sure." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on Instagram<a href="http://pinterest.com/thenextreel" target="_blank"...
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Seconds • The Next Reel
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