Seeds Mix #8: Live @ Brian d’Souza - Live @ Bush of Ghosts episode artwork

EPISODE · Feb 3, 2026 · 2H 1M

Seeds Mix #8: Live @ Brian d’Souza - Live @ Bush of Ghosts

from Ransom Note · host Ransom Note

Deep in the woods at our very own Bush of Ghosts stage at Watching Trees, Scottish producer Brian d’Souza, aka Auntie Flo, brought his ‘Plants Can Dance’ project to life in a five-hour ambient set beneath a canopy of trees. Drawing from the playlists he’s been curating for Imperial College’s psychedelic therapy trials, d’Souza transformed the clearing into what he describes as “a sanctuary away from the main stage,” where human – and non-human – audiences alike could experience music designed to mirror the quiet intelligence of the natural world. This 90 min excerpt captures the heart of that nocturnal performance, guiding listeners through the Ascent, Peak, and Descent phases – a journey filtered from the vast database of ambient music d’Souza has amassed over five years of running Ambient Flo radio. The setting itself became integral to the experience: darkness creating a natural sensory deprivation that, as d’Souza notes, allows listeners to become “more absorbed in their other senses, including the sounds they hear.” At the core of d’Souza’s ‘Sunflowers’ next instalment for our Music To Watch Seeds series: auntieflo.bandcamp.com/album/music-to-watch-seeds-grow-by-007-brian-d-souza-sunflowers lies a profound botanical truth: sunflowers practice cooperation over competition. Recent research reveals that when these plants encounter nutrient-rich soil between neighbours, they deliberately root elsewhere to avoid conflict – a form of underground etiquette that challenges our traditional understanding of survival of the fittest. D’Souza’s album captures this behaviour sonically, using biodata from his son’s sunflower in their London garden, converted into sound through his modular synthesiser via Instruo’s Scion module. This live performance extends that concept into the forest, where ambient music fulfils its original definition – having enough space to mix with environmental sounds, creating a novel soundscape at all times. As d’Souza reflects on Peter Wohlleben’s ‘Hidden Life Of Trees’ and its description of forests as interconnected social networks, the Bush of Ghosts set becomes a meditation on what he calls “the More Than Human world” – a space where silence represents the fragility of life, and where trees, unlike festival-goers, “aren’t going to leave the dancefloor if they don’t like a track.” The result is an invitation to forge a deeper connection with the natural world, to witness how plants can indeed dance. Full interview here: https://www.theransomnote.com/music/mixes/seeds-mix-8-brian-dsouza-live-bush-of-ghosts/ @auntie-flo @watching-trees

Deep in the woods at our very own Bush of Ghosts stage at Watching Trees, Scottish producer Brian d’Souza, aka Auntie Flo, brought his ‘Plants Can Dance’ project to life in a five-hour ambient set beneath a canopy of trees. Drawing from the playlists he’s been curating for Imperial College’s psychedelic therapy trials, d’Souza transformed the clearing into what he describes as “a sanctuary away from the main stage,” where human – and non-human – audiences alike could experience music designed to mirror the quiet intelligence of the natural world. This 90 min excerpt captures the heart of that nocturnal performance, guiding listeners through the Ascent, Peak, and Descent phases – a journey filtered from the vast database of ambient music d’Souza has amassed over five years of running Ambient Flo radio. The setting itself became integral to the experience: darkness creating a natural sensory deprivation that, as d’Souza notes, allows listeners to become “more absorbed in their other senses, including the sounds they hear.” At the core of d’Souza’s ‘Sunflowers’ next instalment for our Music To Watch Seeds series: auntieflo.bandcamp.com/album/music-to-watch-seeds-grow-by-007-brian-d-souza-sunflowers lies a profound botanical truth: sunflowers practice cooperation over competition. Recent research reveals that when these plants encounter nutrient-rich soil between neighbours, they deliberately root elsewhere to avoid conflict – a form of underground etiquette that challenges our traditional understanding of survival of the fittest. D’Souza’s album captures this behaviour sonically, using biodata from his son’s sunflower in their London garden, converted into sound through his modular synthesiser via Instruo’s Scion module. This live performance extends that concept into the forest, where ambient music fulfils its original definition – having enough space to mix with environmental sounds, creating a novel soundscape at all times. As d’Souza reflects on Peter Wohlleben’s ‘Hidden Life Of Trees’ and its description of forests as interconnected social networks, the Bush of Ghosts set becomes a meditation on what he calls “the More Than Human world” – a space where silence represents the fragility of life, and where trees, unlike festival-goers, “aren’t going to leave the dancefloor if they don’t like a track.” The result is an invitation to forge a deeper connection with the natural world, to witness how plants can indeed dance. Full interview here: https://www.theransomnote.com/music/mixes/seeds-mix-8-brian-dsouza-live-bush-of-ghosts/ @auntie-flo @watching-trees

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Deep in the woods at our very own Bush of Ghosts stage at Watching Trees, Scottish producer Brian d’Souza, aka Auntie Flo, brought his ‘Plants Can Dance’ project to life in a five-hour ambient set beneath a canopy of trees. Drawing from the...

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