Set Up, Adaptation, Compensation, and Writing Good Suspense - Playwright's Spotlight with Barry M. Putt, Jr. episode artwork

EPISODE · Jun 11, 2024 · 1H 15M

Set Up, Adaptation, Compensation, and Writing Good Suspense - Playwright's Spotlight with Barry M. Putt, Jr.

from James Elden's Playwright's Spotlight · host James Elden/Barry Pitt, Jr.

Send us Fan MailBarry M. Putt, Jr. beamed into the Playwright's Spotlight from New Jersey to discuss the medium of the audio drama, a throwback and homage to radio plays of the 30s and 40s. We breakdown the differences in elements of traditional playwriting vs the audio drama, i.e., setting up the scene, dialogue, sound effects, music, etc. We also talk about converting plays from stage to audio drama, the process of writing them as well as compensation and the opportunities in that market. We also touch on length, episodic vs feature, beats and silences in the medium, the hiring process for staff writers, popular genres, writing good suspense and character as well as establishing character flaws and adapting from other sources such as dime magazines. We wrap things up by touching on some of the traditional aspects of playwriting. Whether its audio dramas or traditional stage plays, Barry offers insight that I think you will find beneficial, and as always... Enjoy!  Barry M. Putt, Jr.'s plays have been performed in Canada, France, the UAE, and throughout the U.S and his comedy, “A Different Blend of Friendship” won the New Jersey Wordsmiths Award. Other plays include – Seafood Salad, The Grumbletonians, Inside Out, and Gutter Rat. He has also scripted more than 50 audio-drama productions for companies including Colonial Radio Theatre, Radio Theater Project, and Voices in the Wind Audio Theatre. His book on the craft of audio-drama writing entitled "Stories Told through Sound" is published by Applause Books. He is a member of the Witherspoon Circle, the Dramatists Guild, and the Authors Guild and has a degree in Dramatic Writing from NYU and in English Literature from Centenary University.The video format of this episode can be viewed at -https://youtu.be/y2hIkY8sbTsLinks to resources mentioned in this episode -Shoestring Radio Theatre -https://www.shoestring.orgNext Stage Press -https://www.nextstagepress.comVoices in the Wind -https://www.voicesinthewind.caRichard Wade, U.S. Marshal -https://podcasts.apple.com/us/podcast/richard-wade-u-s-marshal/id1549613880Website and Socials for Barry M. Putt, Jr. -Website -https://www.barrymputtjr.comFB - https://www.facebook.com/barry.m.puttIG - @barrymputtjr         @puttbarryX - @bmputtWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

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Send us Fan Mail Barry M. Putt, Jr. beamed into the Playwright's Spotlight from New Jersey to discuss the medium of the audio drama, a throwback and homage to radio plays of the 30s and 40s. We breakdown the differences in elements of traditional playwriting vs the audio drama, i.e., setting up the scene, dialogue, sound effects, music, etc. We also talk about converting plays from stage to audio drama, the process of writing them as well as compensation and the opportunities in that market. ...

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Set Up, Adaptation, Compensation, and Writing Good Suspense - Playwright's Spotlight with Barry M. Putt, Jr.

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