Shepard Tone Detail (disquiet0509)

Rework of a recent track, focus on some details. Junto 509 The Assignment: Create a piece of music with moments from a preexisting track. Step 1: You’re going to be making a piece of music using only a few select details, or brief moments, from an existing piece of music. Choose a source track, preferably one of your own, to begin with. Step 2: Isolate some details from the track, not so much beats and tones as moments, each of which has a unique quality. Do as many as feels right, based on the source material: perhaps a handful, perhaps a dozen. It’s up to you. Step 3: Create a piece of music in which each detail/moment is followed by another, for as long as you want. Feel free to repeat them. Put some space between the moments so they exist independently from each other. You might want to edit the moments so they fade in and out, or you made want the edits to feel abrupt. Trust your ear, and your listener’s ear. Hey, I just went back to the recent Shepard Tone project, as I mentioned on my post that project, Shepard Tone use on my normal work is something I've been hiding under the rug for years, so that project (the most time consuming in this junto challenges for me so far) is still a work in progress here, I went back a couple of times to that in the recent days , updated the mix etc. For this week's challenge I just focus on a detail that's the most interesting for me : The Shepard Tone itself. I deleted all the orchestral tracks and the main synthesizer, just kept the Shepard stereo track and the low drum hits that I found interesting. I composed an abstract piano piece on top of tat this morning. Comments are appreciated, again, this is not finished yet... @disquiet