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Shimmering

...and all will be perceived lightly, when everyt…

An episode of the ART Projects podcast, hosted by ARLO TOBIN, titled "Shimmering" was published on March 6, 2016 and runs 2 minutes.

March 6, 2016 ·2m · ART Projects

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...and all will be perceived lightly, when everything beams, shimmering.

...and all will be perceived lightly, when everything beams, shimmering.
Issac’s simple projects Issac Booth Simple art projects to get you familiar with different tools and processes so you can then gain confidence to embark upon larger projects using these easy to learn tools. Domino Presents... Domino Sound A series of original specials produced by Domino Sound. You don’t need us to tell you this, but these last few years have been absolutely batshit. And like most artists, there were many changes in productions, indefinite hiatuses and cancellations of projects, but the shit is still fire, so why not drop the parts of it we made?Some Domino Presents drops will be audio movies, some will be avant-garde art projects, some will be historical pieces. And some will be really cool conversations with people we admire and artists we’re inspired by. Hosted on Acast. See acast.com/privacy for more information. radioCona radioCona, Brane Zorman, Irena Pivka radioCona - A Temporary Project Radio For Contemporary Arts, Ljubljana, Slovenia. Programmes, discussions, round tables, lectures, interviews, sound art projects, public inteventions, recorded and produced by CONA Institute.http://www.cona.si/radio Sonic Boom Sound Art - recent live stereo electronic effects looping hearthis.at These pieces represent recent projects exhibiting different generation analog and digital effects processors (Electro-Harmonix; DOD/Digitech, etc.) looped together, based on previous schematics utilized from 1984 - 1995 for various live performances and studio recordings.All pieces are recorded live, in stereo with minimal or no post-processing.At some point rack units will be re-introduced into these signal chains incorporating a wider scope of parameters for live manipulation of stereophonic auditory effects.Previous live performances included quadrophonic, on-site, or site specific outdoor performances focusing on the disintegration of any performer-audience/audience-performer dynamic by encouraging audience participants to walk anywhere they wanted to experience the sounds. There were no seats, there was no stage, nor tickets sold. Sounds were directed by speakers at specific locations on buildings, between structures, and open fields, yielding a multiplicity of resonant charac
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