EPISODE · Mar 31, 2026 · 1H 38M
Sister Ray Davis's Spectacular Ransom Note Mixtape
from Ransom Note · host Ransom Note
Adispatch from the holy island, via Alabama. Two guys from Muscle Shoals, Alabama -0 the city that quietly wrote half the soul records you’ve ever loved — making shoegaze concept albums about a tidal island off the coast of Northumberland. On paper, it shouldn’t work. In practice, Holy Island, the debut from Adam Morrow and Jamie Sego’s Sister Ray Davies, is one of the more beautifully stunning records to land this year: motorik folk, walls of fuzz, delay pedal disco, and genuine literary heft, released via the always excellent Sonic Cathedral and drawing comparisons to mid-period Flying Saucer Attack, Souvlaki-era Slowdive and a long-lost Spacemen 3 outtake. They are, by their own admission, complete beginners as DJs. We handed them the airwaves anyway. What came back is exactly what you’d expect from two people who learned to hear music through Nuggets compilations and Delia Derbyshire records, who want biblical noise and dream of piloting the Grateful Dead’s Wall of Sound. It’s a mix that’s charming and oddly coherent: dub basslines, psych and proto-electronic tangents, the kind of selection that could only have been assembled by people who think in pedals and reverb tails rather than BPMs. A journey with a clear first step, even if the destination remains gloriously unclear. Not a DJ mix in any conventional sense, just an excellently varied record collection let loose.
What this episode covers
Adispatch from the holy island, via Alabama. Two guys from Muscle Shoals, Alabama -0 the city that quietly wrote half the soul records you’ve ever loved — making shoegaze concept albums about a tidal island off the coast of Northumberland. On paper, it shouldn’t work. In practice, Holy Island, the debut from Adam Morrow and Jamie Sego’s Sister Ray Davies, is one of the more beautifully stunning records to land this year: motorik folk, walls of fuzz, delay pedal disco, and genuine literary heft, released via the always excellent Sonic Cathedral and drawing comparisons to mid-period Flying Saucer Attack, Souvlaki-era Slowdive and a long-lost Spacemen 3 outtake. They are, by their own admission, complete beginners as DJs. We handed them the airwaves anyway. What came back is exactly what you’d expect from two people who learned to hear music through Nuggets compilations and Delia Derbyshire records, who want biblical noise and dream of piloting the Grateful Dead’s Wall of Sound. It’s a mix that’s charming and oddly coherent: dub basslines, psych and proto-electronic tangents, the kind of selection that could only have been assembled by people who think in pedals and reverb tails rather than BPMs. A journey with a clear first step, even if the destination remains gloriously unclear. Not a DJ mix in any conventional sense, just an excellently varied record collection let loose.
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Sister Ray Davis's Spectacular Ransom Note Mixtape
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