'Something About Always' - Actor, Producer and Advocate, Simon Burke - Part 2 episode artwork

EPISODE · Apr 25, 2020 · 55 MIN

'Something About Always' - Actor, Producer and Advocate, Simon Burke - Part 2

from STAGES with Peter Eyers · host Peter Eyers

Simon Burke dislikes waiting in the wings. His immense passion and energy would see him ideally leave the dressing room to arrive directly on stage and into the job of story-telling. It is a routine that can easily be applied to Simon off the stage. He moves with great enthusiasm towards each project and is eager to craft his own projects too; or provide support to colleagues and industry in advocacy roles. A vast array of performances in musical theatre have given us his Marius in the original Australian company of Les Miserables, Billy Flynn in Chicago and Billy Crocker in Anything Goes. Acclaim abroad has seen Burke feature regularly in The West End in productions of La Cage Aux Folles, A Little Night Music, The Phantom of the Opera; and The Sound of Music at The London Palladium. His passion for the Arts has also seen him attend to the role of National President of the Media, Entertainment and Arts Alliance; a role he served for 10 years working for better conditions and consideration of fellow artists. It continues to be a rewarding and busy time on stage and off for Simon Burke. He has traversed many stages and shares fascinating insight and reflection on a career that has seen him journey from talented child actor to an accomplished and regarded actor, and personality, in theatre and on screen. The Stages podcast is available from iTunes, Spotify and Whooshkaa.

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'Something About Always' - Actor, Producer and Advocate, Simon Burke - Part 2

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Frequently Asked Questions

How long is this episode of STAGES with Peter Eyers?

This episode is 55 minutes long.

When was this STAGES with Peter Eyers episode published?

This episode was published on April 25, 2020.

What is this episode about?

Simon Burke dislikes waiting in the wings. His immense passion and energy would see him ideally leave the dressing room to arrive directly on stage and into the job of story-telling. It is a routine that can easily be applied to Simon off the stage....

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