Sorry to Bother You episode artwork

EPISODE · Jul 4, 2018 · 47 MIN

Sorry to Bother You

from The Film Comment Podcast · host Film Comment Magazine

“Audiences will enjoy Sorry to Bother You in one go, but the film invites and can stand up to multiple viewings, in much the same way that complex rap lyrics benefit from repeated plays and familiarity gained from memorization,” Ina Diane Archer writes in our July/August issue. “Boots Riley is, by his own definition, a storyteller—a socially conscious, political artist, communist, proud Oaklander, and the beloved front man of The Coup.” Riley’s scabrous satire tracks a telemarketer (Lakeith Stanfield) on the rise in a company engaged in some nefarious labor practices that bring corporate malfeasance into a surreal realm. For our latest episode, Archer joined me in a discussion of the feature and the many layers she unpacks in her essay.

“Audiences will enjoy Sorry to Bother You in one go, but the film invites and can stand up to multiple viewings, in much the same way that complex rap lyrics benefit from repeated plays and familiarity gained from memorization,” Ina Diane Archer writes in our July/August issue. “Boots Riley is, by his own definition, a storyteller—a socially conscious, political artist, communist, proud Oaklander, and the beloved front man of The Coup.” Riley’s scabrous satire tracks a telemarketer (Lakeith Stanfield) on the rise in a company engaged in some nefarious labor practices that bring corporate malfeasance into a surreal realm. For our latest episode, Archer joined me in a discussion of the feature and the many layers she unpacks in her essay.

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Sorry to Bother You

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This episode is 47 minutes long.

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This episode was published on July 4, 2018.

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“Audiences will enjoy Sorry to Bother You in one go, but the film invites and can stand up to multiple viewings, in much the same way that complex rap lyrics benefit from repeated plays and familiarity gained from memorization,” Ina Diane Archer...

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