EPISODE · Jul 31, 2022 · 25 MIN
Special: The Thesis
from The Background Dancer · host Jason Yap
How does intercultural exchange influence dance? And are people as interdisciplinary as art is? Upon receiving a plea to help out a friend's graduate thesis, a study which investigates how the reality of intercultural exchange, interdisciplinary collaboration and working in Slovakia as a foreign artist all intertwine in the year 2022, we duly complied in providing the best possible account. After being based here in Central Europe for the past three years, there inevitably exists an impression or two about the local landscape. Continuing our special episode series as we build up for the launch of Season 2 in 2023, this episode explores how some of the most critical aspects of the global dance market have combined to develop Jason as an artist. Ready to fulfill your own Background Dancer journey? Join us as we foreground dance in the background!Soundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk | Waterbeat - DJ Lengua Support the showLike our offers? S2 Summer SALE!Check out our new Dance Masterclass YouTube reviewSign up for Dance MasterclassChoreographing Your Dance Career by Janaea Rose LynTry Nord VPNLike what we do? Help us grow byVisiting The Background DancerYouTube ChannelRate and review here Email me at [email protected] a survey Sign up here to receive future updates Leave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our community
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How does intercultural exchange influence dance? And are people as interdisciplinary as art is? Upon receiving a plea to help out a friend's graduate thesis, a study which investigates how the reality of intercultural exchange, interdisciplinary collaboration and working in Slovakia as a foreign artist all intertwine in the year 2022, we duly complied in providing the best possible account. After being based here in Central Europe for the past three years, there inevitably exists an impressio...
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Special: The Thesis
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