EPISODE · Nov 20, 2022 · 33 MIN
Stories are for listening: Blisworth Tunnel (Ian Douglas)
from Nighttime on Still Waters · host Richard Goode
Send us Fan MailAs the nights draw in and the cosy glow of a fire gets evermore inviting, it is the perfect time to share stories. It is not surprising that ghost stories have an enduring appeal. Many stories of the canal feature them. Ghosts like the canal networks themselves create a link between our worlds and the past. Tonight we enjoy the skill of Ian Douglas’ retelling of a ghostly encounter at Blisworth tunnel and why these stories are important. Journal entry:18th November, Friday.“Stainless steel An empty room. The stark coldness of strip lighting. The white skirting board is scuffed. The head-swimming bite of the scent of Eugenol and dentistry.I look around for old copies of Giles cartoon annuals And dog-eared editions of Punch, But there are none.Outside oak leaves shimmer Against an ocean of sky blue.”Episode Information:In this episode I read Ian Douglas’ account of the ghostly encounter in Blisworth Tunnel (and his epilogue) as told in his (2021) Folk Tales from the Canal Side published by The History Press. You can watch David Johns’ (Cruising the Cut) own ‘ghostly’ encounter at the tunnel here: Is this a ghostly encounter at the Blisworth tunnel?I also read a short extract from Storm Dunlop’s (2021) Weather Almanac 2022 published by Harper Collins and make a reference to Allan Scott-Davies’ (2010) book Shadows on the Water: The Haunted Canals and Waterways of Britain also published by The History Press. The earlier episode on the liminal nature of canals is: Ep 5 ‘Down the cut’.The soundtrack for the tunnel story was recorded cruising through Shrewley Tunnel in August 2021.General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodMastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at [email protected] or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFacebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at [email protected] or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.
What this episode covers
Send us Fan Mail As the nights draw in and the cosy glow of a fire gets evermore inviting, it is the perfect time to share stories. It is not surprising that ghost stories have an enduring appeal. Many stories of the canal feature them. Ghosts like the canal networks themselves create a link between our worlds and the past. Tonight we enjoy the skill of Ian Douglas’ retelling of a ghostly encounter at Blisworth tunnel and why these stories are important. Journal entry: 18th November, F...
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Stories are for listening: Blisworth Tunnel (Ian Douglas)
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