Striking a chord: The debate on singing in the homily

“Alleluia, alleluia, alleluia!” This is how Kim Harris starts her homily for the Second Sunday of Easter—in joyous song. “When Thomas first the tidings heard / How they had seen the risen Lord / He doubted the disciples’ word. Alleluia!...” Such daring from the ambo has long struck a controversial chord with preachers and liturgists alike, prompting “Preach” host Ricardo da Silva, S.J., to ask Kim about her choice to start her homily in song. Kim, an assistant professor of African American Religious Thought and Practice at Loyola Marymount University, swiftly responds. “Not only am I a singer,” explains Kim, who is also a cantor, composer, recording artist and liturgical consultant for the Office of Black Ministry in the Archdiocese of New York. “But also, the idea of a preacher who sings as a part of their homily is part of many African American cultural traditions,” she adds. “The songs carry so many of our stories, hopes, and beliefs, and what we’re thinking about and believing and preaching about.”  Listen to “Preach” as Kim shares her strategies for approaching well-known biblical narratives, such as Doubting Thomas in today’s Scriptures, in a fresh and insightful manner. She also offers guidance on interpreting Scripture with reverence for its historical context while remaining sensitive to contemporary challenges, like ableism, that confront congregations today. Read the Scripture readings for the Mass of the Day on Easter Sunday, The Resurrection of our Lord Get daily Scripture reflections and support “Preach” by becoming a digital subscriber to America Magazine Learn more about your ad choices. Visit megaphone.fm/adchoices