Studio Stories: Reminiscing on Twin Cities Dance with Penny Freeh Season 3 Episode 39 episode artwork

EPISODE · Feb 18, 2021 · 58 MIN

Studio Stories: Reminiscing on Twin Cities Dance with Penny Freeh Season 3 Episode 39

from STUDIO STORIES: REMINISCING ON TWIN CITIES DANCE HISTORY · host ARENA DANCES

Dancer, choreographer, educator, and writer Penelope Freeh dismantles antiquated modes of how ballet is taught, languaged, applied in research terms, and expressed physically, intellectually, performatively, and at the gut level. Through her practice of expanding the terms and exploding the tropes of ballet, she aims to meaningfully connect with a diversity of dancers, collaborators, colleagues, students, and audiences.Freeh is a two-time McKnight Fellow for Choreographers, McKnight Fellow for Dancers, and Sage awardee for Outstanding Performer. Her work is in the repertoires of Alternative Motion Project, Gem City Ballet, James Sewell Ballet, Minnesota Ballet, Minnesota Dance Theatre, and Zenon Dance Company among others. Residencies include the Maggie Allesee National Center for Choreography and the Camargo Foundation in Cassis, France. International work includes collaboratively building new work at New York University – Abu Dhabi with Brooklyn-based Theater Mitu. She has performed and taught in Russa as part of the LinkVostok Dance Festival. Her work was performed in France, Germany, Belgium, and the Czech Republic as part of a Blue Lake Fine Arts Camp Ballet Ensemble tour that she co-directed.Freeh frequently collaborates with composer Jocelyn Hagen. Their chamber dance opera Test Pilot won a Sage Award for Outstanding Design and toured the state in 2016.Penelope danced for James Sewell Ballet for seventeen years, serving as Artistic Associate from 2007-11. She is faculty at the University of Minnesota, St. Paul Ballet, St. Paul Conservatory for Performing Artists, TU Dance, and Zenon. She holds a Dance MFA from Hollins University.

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Dancer, choreographer, educator, and writer Penelope Freeh dismantles antiquated modes of how ballet is taught, languaged, applied in research terms, and expressed physically, intellectually, performatively, and at the gut level. Through her practice of expanding the terms and exploding the tropes of ballet, she aims to meaningfully connect with a diversity of dancers, collaborators, colleagues, students, and audiences. Freeh is a two-time McKnight Fellow for Choreographers, McKnight Fellow f...

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Studio Stories: Reminiscing on Twin Cities Dance with Penny Freeh Season 3 Episode 39

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