Study Series 3 — Edge Pitch

The repaired mapping, alone. Pitch here is driven by edge activity — a channel that survives having the cube shuffled — rather than by brightness, which does not. It is the first melody this instrument has produced that a control cannot reproduce, and the whole of Series 2 is arranged around getting to it. Whole-tone tuning, so the scale samples pitch as evenly as twelve tones allow and the data’s own movement is quantised as little as possible. Source data: public JWST observations obtained from the Mikulski Archive for Space Telescopes (MAST) at the Space Telescope Science Institute, operated by AURA under NASA contract NAS 5-03127. Programs #1191, #1257, #1328, #1621, #2457, #2484, #2727, #2731, #2732, #2733, #2736, #2926, #4426, #4523, #4528, #5086, #5883. We acknowledge the teams led by Lee Armus (#1328) and Roberto Maiolino (#4426) for developing their observing programs with a zero-exclusive-access period. Observation identifiers are given above. Audio © 2026 Far Wide Radio — licensed CC BY-NC-SA 4.0. All artwork by Elliot Fairbanks Junior. Archived and citable: doi.org/10.5281/zenodo.21693766 Series 2 contains material from the DESI Early Data Release (DESI Collaboration et al. 2024), used under CC BY 4.0. Full citation, acknowledgement and data credits: radio.enthropysystems.com/pages/attribution Series 2 is archived and citable: doi.org/10.5281/zenodo.21995512