Suzannah Sinclair: The Artist the Art World Forgot to Keep Watching (Part 2)

Carrie first encountered Suzannah Sinclair's work twenty-some odd years ago - Playboy pinups painted on wood, seductive and complicated and genuinely risky - and put her work in a show about women looking at women. Then they lost touch. This episode is the final part of their reunion.Suzannah is a painter's painter who built a real career in New York and Boston before leaving it all for rural Maine, two kids, and a ten-by-twelve studio. She's had gallery representation and lost it. She's been in Artforum and New American Paintings and the Swedish press. She made $127 last year. She has never stopped painting.In this second part of their conversation, Suzannah talks about where the Playboy paintings actually came from (a professor who challenged her to prove she could draw), why she eventually walked away from them, what happened to her career after she had children, the question she got asked constantly that she's still not over (do you still paint?), her egg tempera practice, her publishing imprint Sinclair's Garage, and what it means to be a mid-career artist who is, in her words, ready for rediscovery.Honest, funny, and completely unfiltered. This is what a twenty-year art career actually looks like.Explore Suzannah's work: https://suzannahsinclair.com/home.htmlJoin our free art newsletter:⁠⁠⁠⁠ ⁠⁠⁠⁠https://mailchi.mp/seen/waitlist⁠If you want to connect with us between episodes, follow us on Instagram:⁠⁠⁠⁠ ⁠https://www.instagram.com/watchseenart⁠About the Have You Seen? series:The ⁠Have You Seen? Series⁠ is all about talking to emerging and mid-career artists about their journey to now.Curious about how an artist got to where they are or indeed why they chose art in the first place? Then this series is for you. Join us as we speak to emerging and mid-career artists across the globe. Don’t worry, there’s no hiding behind art speak here, or pretending that being an artist is a bowl of cherries. We’re here to hear it all, straight from the source.