Ten Texts on Painting Episode 9: Peruvian Indigenous Contemporary Painting

In this episode, Matt and Andrea read Pedro Favaron y Chonon Bensho’s paper ‘Metsa Kené’ from 2020 (translated to English by AI) and Giuliana Borea’s ‘Personal cartographies of a Huitoto mythology’ from 2010. As a support text, we also read Florencia Portocarrero and Gabriela Germaná’s ‘The “Indigenous turn” and the rise of Amazonian art’ from 2026. Matt and Andrea used these texts to explore indigenous Peruvian contemporary painting and to propose methodological alternatives to positionality, at least as it is used in art school. How do we destabilise and enlarge our understanding of painting when we parochialise ourselves? Favaron and Bensho’s essay introduces painting in the Shipibo-Konibo context, its pedagogy, use of materials, ethics and vocabulary. It also raises crucial questions about the construction of value in painting and in the artworld. When does a tourist become a collector? Borea’s text introduces Rember’s practice as well as the strategies he devised to position himself as a contemporary artist. The text explores the ongoing process of enlargement and redefinition of the artworld in Latin American countries – driven by the presence of indigenous artists – enabling a comparison with usual British strategies of inclusion.   Listen on Spotify, Apple Podcasts, or Amazon Music Download PDFs of the texts belowFavaron, P. and Bensho, C. (2020) ‘Metsá Kené : los diseños y la identidad del pueblo Shipibo-Konibo.’, Visitas al Patio, 14(2), pp. 100–114. [PDF translated by AI] Borea, G. (2010) ‘Personal Cartographies of a Huitoto Mythology: Rember Yahuarcani and the enlarging of the Peruvian Art Scene’, Revista de Antropologia Social dos Alunos do PPGAS-UFSCar, 2(2), pp. 67–87. Portocarrero, F. and Germaná, G. (2026) ‘The “Indigenous turn” and the rise of Amazonian art: insights from the seminal work of the Seminario de Historia Rural Andina (SHRA)’, in A.U. Flynn et al. (eds) Unmaking to Make: Art as decolonising practice in Latin America’s future, past and present. London, UK: UCL Press, pp. 185–207. Available at: https://doi.org/10.14324/111.9781806550029  With massive thanks to all the Peruvian artists and curators that we read and looked at to make this episode:Chonon Bensho @chononbensho3 https://www.instagram.com/chononbensho3/ Rember Yahuarcani @rember_yahuarcani https://www.instagram.com/rember_yahuarcani/ Olinda Silvano @olinda.silvano https://www.instagram.com/olinda.silvano/ Cordelia Sanchez @cordeliasanchez__pesinkate https://www.instagram.com/cordeliasanchez__pesinkate/ Sara Flores @sarafloresvalera https://www.instagram.com/sarafloresvalera/ Florencia Portocarrero @florenciaportocarrero https://www.instagram.com/florenciaportocarrero/ Gabriela Germaná @gabgermana https://www.instagram.com/gabgermana/ Giuliana Borea @giuliana_borea https://www.instagram.com/giuliana_borea/ Giuliana Vidarte @giuliana_vidarte https://www.instagram.com/giuliana_vidarte/ Miguel Lopéz @miguelopez1 https://www.instagram.com/miguelopez1/ Maria Eugenia Yllia @mariaeugeniayllia https://www.instagram.com/mariaeugeniayllia/ Natalia Majluf @ nmajluf2 https://www.instagram.com/nmajluf2/ Pedro Favaron @pedrofavaron_nishinete https://www.instagram.com/pedrofavaron_nishinete/ Follow Ten Texts on Instagram here: https://www.instagram.com/ten_textsFind all episodes of the Ten Texts podcast here: https://linktr.ee/ten_texts