Text Work: Webster's The White Devil with Ray Porter

Ray Porter from Ep. #16 talks text work in John Webster's The White Devil. This is a Jacobean play and comes in the period right after Shakespeare. As Ray shared, plays in this period were much darker and a definite departure from many of the themes you'd see in Shakespeare's work. It's not a play I was familiar with and really glad these guests are introducing us to other classical works. As I mentioned in the complete episode with Ray, this may be a great play for you to find a lesser-known monologue for your auditions. You'll hear Ray discuss: why this speech fascinates him how language was the CGI of the day why classical theatre and plays like this are still so relevant today. It's a great session and a wonderful discussion about theatre, politics, and acting!   Click here for full show notes and links. Get your copy of "12 Top Acting Tips from Season One" See additional content on Facebook, Twitter, Instagram, and YouTube.   Ray's monologue from The White Devil FRANCISCO An old tale. Upon a time Phoebus, the god of light, Or him we call the sun, would need to be married: The gods gave their consent, and Mercury Was sent to voice it to the general world. But what a piteous cry there straight arose Amongst smiths and felt-makers, brewers and cooks, Reapers and butter-women, amongst fishmongers, And thousand other trades, which are annoyed By his excessive heat! 'twas lamentable. They came to Jupiter all in a sweat, And do forbid the banns. A great fat cook Was made their speaker, who entreats of Jove That Phoebus might be gelded; for if now, When there was but one sun, so many men Were like to perish by his violent heat, What should they do if he were married, And should beget more, and those children Make fireworks like their father? So say I; Only I apply it to your wife; Her issue, should not providence prevent it, Would make both nature, time, and man repent it.