That's Anora!

Since there really isn’t much box office news to discuss, we spent the entire show discussing the Oscar season that just ended.Lisa Laman explained the commercial realities that helped make Anora the lowest-earning Best Picture winner since The Hurt Locker in 2010. Jeremy Fuster argued that it was more important for the Academy Awards to honor the “best” movies of the year even at the cost of remaining a top-tier pop culture event. Scott Mendelson noted Anora’s place alongside a slew of pre-COVID pictures like Parasite, Joker, Knives Out and Hustlers which acknowledged that income inequality was more structural than just “Bernie Madoff =bad!”All of us agreed that A) it’s consumers’ responsibility to sample the honored films, but B) it’s partially due to corporate consolidation (especially among studios that have tentpole-level leverage) alongside an overall decline in available screens that makes the difference between a Birdman that earns $41 million and an Anora that earns $15 million in North America. We also discussed which Best Picture winners qualified as genuinely “anti-establishment” while we agreed that A) Conan O’Brien was a pretty damn solid host and B) the James Bond tribute as essentially a eulogy.Oh, and Jeremy gets angry (and we always like him when he’s angry) about perhaps the laziest post-telecast “take” of the season. Get full access to The Outside Scoop at scottmendelson.substack.com/subscribe