EPISODE · Jun 3, 2019 · 4 MIN
The alchemy of emptiness
from Opening the Curtain
Samuel Beckett’s plays can be really tricky. They are conceptually so full and simultaneously so maddeningly empty. It’s that emptiness that’s the key. What a production does with that emptiness is what separates a transcendent production of Beckett from a sleep-inducing one. Take the production of “Happy Days” starring Dianne Wiest at the Mark Taper Forum.
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