EPISODE · Apr 30, 2025 · 10 MIN
The Big Doll House • Member Bonus
from The Next Reel Film Podcast · host TruStory FM
“Get it up or I’ll cut it off.”Roger Corman's Foray into Women in Prison FilmsIn 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women. Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House.Prison Break: Exploring Power, Agency, and ExploitationThe film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions.Behind Bars: Production and PerformancePam Grier and Sid Haig deliver standout performances that elevate the materialThe film's use of humor helps offset some of the more exploitative elementsShot back-to-back with other prison films in the Philippines to maximize efficiencyInteresting character dynamics between the six main prisonersThe film's ending strikes a lighter tone compared to similar genre entriesThroughout our discussion, we explore how The Big Doll House fits into both Corman's broader production approach and Hill's filmography. While Andy prefers the more serious tone found in Women in Cages, Pete finds more value in this film's lighter touch. Despite its exploitation roots, the film manages to deliver entertainment value while sneaking in something of a commentary on power dynamics and institutional corruption. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailerThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
What this episode covers
“Get it up or I’ll cut it off.”Roger Corman's Foray into Women in Prison FilmsIn 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women. Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House.Prison Break: Exploring Power, Agency, and ExploitationThe film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions.Behind Bars: Production and PerformancePam Grier and Sid Haig deliver standout performances that elevate the materialThe film's use of humor helps offset some of the more exploitative elementsShot back-to-back with other prison films in the Philippines to maximize efficiencyInteresting character dynamics between the six main prisonersThe film's ending strikes a lighter tone compared to similar genre entriesThroughout our discussion, we explore how The Big Doll House fits into both Corman's broader production approach and Hill's filmography. While Andy prefers the more serious tone found in Women in Cages, Pete finds more value in this film's lighter touch. Despite its exploitation roots, the film manages to deliver entertainment value while sneaking in something of a commentary on power dynamics and institutional corruption. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailerThis is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
NOW PLAYING
The Big Doll House • Member Bonus
No transcript for this episode yet
Similar Episodes
Mar 26, 2026 ·1m
Mar 19, 2026 ·34m
Feb 18, 2026 ·11m
Feb 11, 2026 ·45m