EPISODE · Mar 8, 2022 · 1H 32M
THE BROOD: Birth of Rage | David Cronenberg: The New Flesh
from Cinema Shock · host Cinema Shock
After two successful low-budget horror films, David Cronenberg was suddenly one of Canada’s most bankable directors. But rather than immediately dive into another body horror spectacle, he took a detour with FAST COMPANY, a drag racing drama that would ultimately serve as a stepping stone to one of his most acclaimed early films: THE BROOD. Released in 1979, THE BROOD is widely considered to be Cronenberg’s first masterpiece — and his most personal film. Written during and inspired by his contentious divorce and custody battle, the film is a raw, angry piece of psychodrama dressed up in monster movie clothing. In this episode, we’ll explore how THE BROOD was financed during Canada’s short-lived “tax shelter era,” why critics accused Cronenberg of misogyny, and how the film’s nightmarish depiction of rage and repression helped cement his reputation as a provocateur of psychological horror. Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis. Visit our website for episode archives, merchandise, and more: http://cinemashock.net
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What this episode covers
We explore the full story behind THE BROOD, David Cronenberg’s deeply personal 1979 body horror film inspired by his own divorce. Learn how the film was shaped by Canada’s tax shelter era, why critics labeled it misogynistic, and how it became a cult classic.
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THE BROOD: Birth of Rage | David Cronenberg: The New Flesh
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