The Business End Of Portraiture episode artwork

EPISODE · Sep 20, 2022 · 22 MIN

The Business End Of Portraiture

from PORTRAITS · host National Portrait Gallery

Indra Nooyi grew up in a conservative Brahmin household in India, but that didn’t stop her from playing cricket with her brother’s friends, or from joining an all-girl rock band. Years later, when she ascended to the top job at PepsiCo, she would push the boundaries again as one of the few women running a Fortune 500 company. Nooyi talks to Kim about why she initially shrank from the press when she arrived in the C-suite, and how she wanted to be seen in her own portrait as an American Portrait Gala honoree. See the portraits we discuss: Indra Nooyi Meg Whitman Anne Catherine Hoof Green Martha Stewart

Episode metadata supplied by the publisher feed · Published Sep 20, 2022

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The Business End Of Portraiture

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Espions, une histoire vraie France Inter Portraits d’espions et d’espionnes, français, américain, anglais, russe, israélien et irakien. De la Seconde Guerre mondiale à aujourd’hui, en passant par la Guerre froide, la Chine de Mao et le combat contre l’État islamique.Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France. Inheritance, The by Susan Edmonstoune Ferrier (1782 - 1854) LibriVox "As the noblest attribute of man, family pride had been cherished time immemorial by the noble race of Rossville. Deep and incurable, therefore, was the wound inflicted on all its members by the marriage of the honorable Thomas St. Clair, the youngest son of the Earl of Rossville, with the humble Miss Sarah Black, a beautiful girl of obscure origin and no fortune." And so the stage is set for our plot, which focuses on the implications and complications of the return from France to Scotland of the Rossville widow and her daughter-heiress Gertrude, who must suffer the onslaught of relations and suitors as well as a mysterious, threatening stranger who plagues her mother. And while we suffer with Gertrude, who also may be in love with the wrong man, we enjoy a myriad of wonderful satiric portraits of the menagerie of minor characters in this lively story. (Summary by Jim Locke) Phonomaton Anaël Pigeat Phonomaton réunit des portraits d’artistes, de galeristes, de collectionneurs, de commissaires, mais aussi des portraits d’œuvres et d’expositions.Mes phonomatons sont le fruit de mes curiosités pour l’art contemporain mais aussi pour l’art ancien, parfois aussi pour d’autres territoires de la création.Ces interrogations et ces tentatives de réponses ont en commun la volonté d’élucider les gestes créateurs, en commençant par écouter pour regarder…Un podcast produit et animé par Anaël Pigeat   Un grand merci à Sylvie Astié pour l'identité visuelle, Les Films du Losange et les Blossom Toes pour le générique de "La Collectionneuse" (1967) d'Eric Rohmer, Magdalena Recordon pour ma photographie!   Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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