The Moon And Sixpence 43.2 episode artwork

EPISODE · Aug 17, 2018 · 2 MIN

The Moon And Sixpence 43.2

from 月亮与六便士【中英字幕】

On the other hand, I might have found his motives in the influence of the married relation. There are a dozen ways in which this might be managed. A latent gift might reveal itself on acquaintance with the painters and writers whose society his wife sought; or domestic incompatability might turn him upon himself; a love affair might fan into bright flame a fire which I could have shown smouldering dimly in his heart. I think then I should have drawn Mrs. Strickland quite differently. I should have abandoned the facts and made her a nagging, tiresome woman, or else a bigoted one with no sympathy for the claims of the spirit. I should have made Strickland's marriage a long torment from which escape was the only possible issue. I think I should have emphasised his patience with the unsuitable mate, and the compassion which made him unwilling to throw off the yoke that oppressed him. I should certainly have eliminated the children.An effective story might also have been made by bringing him into contact with some old painter whom the pressure of want or the desire for commercial success had made false to the genius of his youth, and who, seeing in Strickland the possibilities which himself had wasted, influenced him to forsake all and follow the divine tyranny of art. I think there would have been something ironic in the picture of the successful old man, rich and honoured, living in another the life which he, though knowing it was the better part, had not had the strength to pursue.另外,我也可以从思特里克兰德的婚姻关系中找到他立志绘画的动机。我可以有十几种方法处理这个故事:因为他妻子喜欢同文艺界人士来往,他也有缘结识一些文人和画家,因而唤醒了那隐伏在他身上的艺术才能;也可能是家庭不和睦使他把精力转到自己身上;再不然也可以归结于爱情,譬如说,我可以写一下他心中早就埋着热爱艺术的火种,因为爱上一个女人,一下子把闷火扇成熊熊的烈焰。我想,如果这样写的话,思特里克兰德太太在我笔下也就要以另一副面貌出现了。我将不得不把事实篡改一下,把她写成一个唠唠叨叨、惹人生厌的女人,再不然就是性格褊狭,根本不了解精神的需求。思特里克兰德婚后生活是一场无尽无休的痛苦煎熬,离家出走将是他的唯一出路。我想我将在思特里克兰德如何委曲求全这件事上多费些笔墨,他如何心存怜悯,不愿贸然甩掉折磨他的枷锁。这样写,我当然就不会提他们的两个孩子了。如果想把故事写得真实感人,我还可以虚构一个老画家,叫思特里克兰德同他发生关系。这个老画家由于饥寒所迫,也可能是为了追逐虚名,糟蹋了自己青年时代所具有的天才,他后来在思特里克兰德身上看到了自己虚掷的才华,他影响了思特里克兰德,叫他抛弃了人世间的荣华,献身于神圣的艺术。我会着力描写一下这位成功的老人,又阔绰又有名望,但是他知道这不是真正的生活,他自己所无力寻求的,他要在这个年轻人身上体验到;我想这种构思未尝没有讽刺意味。

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On the other hand, I might have found his motives in the influence of the married relation. There are a dozen ways in which this might be managed. A latent gift might reveal itself on acquaintance with the painters and writers whose society his wife...

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