The music of the manosphere: Paul Leonard-Morgan and Ross Hamilton on scoring Louis Theroux’s most talked-about film

As Theroux’s viral deep dive into online masculinity dominates the conversation, its composers break down their bass-heavy, synth-driven score that drives momentum without telling you what to think. If you enjoyed this interview, hit subscribe, leave a comment, and share your thoughts. Stay tuned for more conversations and new episodes of the podcast, where we go deeper into the stories shaping film, television and the people who bring them to life.