The Prisoner episode artwork

EPISODE · Mar 22, 2019 · 1H 57M

The Prisoner

from Supercontext: an autopsy of media

This 1967 British TV show is revered as a cult classic that was radical and countercultural, while symbolizing philosophical arguments about individualism vs. collectivism. We take a deeper look at star Patrick McGoohan and the commercial interests behind the show to ask if it's ultimately more conservative than pop culture likes to remember. Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store: The Prisoner Additional Resources: A Spy Trapped in a Nightmare of Psychedelia GEORGE MARKSTEIN interviewed by Chris Rodley Number Six At 50: The 50th Anniversary Of 'The Prisoner' How did The Prisoner ever get made? Patrick McGoohan Explains The Meaning Of The Prisoner, A TV Cult Classic Alan Moore Remembers Patrick McGoohan's "The Prisoner": Part 1 What on earth was The Prisoner all about? McGuire, J. T. (2014). A Mentor-Protégé Relationship?: Orson Welles, Patrick McGoohan, and The Prisoner Television Series. Quarterly Review of Film & Video, 31(7), 647. Hanna, E. (2014). Be Selling You: The Prisoner As Cult and Commodity. Television & New Media, 15(5), 433. Woodman BJ. Escaping Genre's Village: Fluidity and Genre Mixing in Television's The Prisoner. Journal of Popular Culture. 2005;38(5):939

Episode metadata supplied by the publisher feed · Published Mar 22, 2019

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The Prisoner

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