The Renaissance the the USA Didn't Want You to Know About - 03-19-2020 - 10X Speed

https://3speak.tv/watch?v=davidnollearth/c296c99e Alright, this is the final video I made. In 'Wisteria' I featured a P100 mask that protected my lungs from the assault of stratospheric aerosol injection program rolled out by John O. Brennan in 2011 without our consent being run in California at that time and ramped up from 2015 until now. After this was completed, I was arrested on trumped up charges by a liar in Modesto. I went to jail for almost 40 days for something I did not do. I took a plea bargain for something I didn't do, because I was placed in isolation under covid lockdown orders and almost driven insane in the process. When I got back home, this painting was covered in a layer of some dark brown substance by what I now believe to be visitors from either the police or one of America's favorite 'intelligence' agencies. I believe this to be so, as no one had a key to the room this painting was completed in, and many things relating to old recipes and documents were corrupted on my hard drive where I had saved all these videos. I also believe many of the initial videos were deleted by this person or persons who did all this and took various things out of my studio still missing today. What were they looking for on my hard drive? My secret recipe how to make varnishes, oils and mediums so my patentable information could be stolen and patented without me? Likely this seems like the motivation. Guess what they found? Absolutely nothing. I've not written down any recipes for how I make oils and varnishes, they are trade secrets. I hide them within my mind as I anticipated this move by the criminal USA empire to steal my recipes, so I hid them deep in the recesses of my brain only. Around the same time, Banksy also had one of his art slaves complete an eighth grade level pen and ink drawing of our heroes of healthcare as a boy flying a nurse around and leaving his Spiderman and Batman toys in a basket. Why would Banksy need to legitimize himself pushing me down under his thumb with his media thugs for all those years? I'm sure its all a coincidence that masks featured prominently in Covid-19, just another symbol theft by the American government. The tool I used to expose the SAI program in this painting was repurposed as a method of tyranny as was Kary Mullis' useful PCR test was used at that time as an instrument of torture. And time goes on, now 6 years later and nearing completion on my new dead rat painting, what levels will the USA government and WHO go to this time to insure no one gets the Renaissance I could have given them? After all this, I can tell you exactly who will never be getting another chance. This is not about money anymore, its about making sure a group of mafia punks get no help in building the surveillance spy state lockdown empire they're trying to build. What's fun about these videos is that you could watch all of them and not learn a thing about what I use or my methodology for using it. It reminds me of one of my favorite Bible verses: 2 Corinthians 4:18 b (KJV) -"...for the things which are seen are temporal; but the things which are not seen are eternal." This is the video series for an oil painting 'Wisteria' I did from 2016-2020. The painting was destroyed in 2021 due to a number of reasons, but mainly: the painting's faulty experimental linseed-epoxide substrait, Covid-19 crushing lockdowns, extreme poverty, family attacks and ongoing US government (Big Tech + Big Media) censorship of me and my 30 years of artwork. Its not ideal to not be able to show this piece, but I still gained the knowledge of how to do it and invented several useful oil painting mediums & varnishes used in its creation which never yellowed and still cannot be bought anywhere. I am posting these videos for posterity and for people that are interested in seeing an oil painting created from start to finish in the Baroque style evolved for the 21st century. I also must have deleted some of the initial videos when I did the quick underpainting, but what still exists, I give to you. I hope this can be an educational experience as no gallery will show any of my controversial art even today.