The rise of David Bowie and the Spiders From Mars through the eyes of Woody Woodmansey episode artwork

EPISODE · Feb 6, 2025 · 36 MIN

The rise of David Bowie and the Spiders From Mars through the eyes of Woody Woodmansey

from Word In Your Ear

The teenage Woody Woodmansey was offered the job of under-foreman in the Vertex spectacle factory in Hull but then got a call from Bowie inviting him to move to London and play drums on his new album - “plus food and somewhere to stay”. It took him all weekend to decide. And involved some cultural readjustment when he did. 56 years later he’s a founding member of Holy Holy and touring the UK in May – along with Tony Visconti and Glenn Gregory – performing songs from Bowie’s breakthrough early ‘70s albums. He talks here about … … the life-changing sound behind the silver door of an air-raid shelter in Driffield. … supporting the Kinks in Bridlington and the Herd at Leeds University - and why Peter Frampton told him, “I’ll see you at the top”. ... his first paid gig at the local girls’ school. … the Spiders’ instructional group outings to see ballet, mime and theatre. ... “never more than three takes”: how Bowie wrote and recorded and the sketches he drew for their stage gear.  … life at Haddon Hall and its “Gone With The Wind staircase”. … Yorkshire to London and the cultural collisions involved. … what Bowie realised was “the missing ingredient”. … Woody’s checklist to assess Bowie’s talents when he met him: “He wasn’t Paul Rodgers or Roger Daltrey. He could write. He could communicate.” … “I’m not wearing that!” The day Mick Ronson packed his bags and left. Order Holy Holy tickets here:https://www.ticketmaster.co.uk/tony-visconti-tickets/artist/2003254Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

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The rise of David Bowie and the Spiders From Mars through the eyes of Woody Woodmansey

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