The Stories of 2025 - Part 1: Megagigs, Grassroots, and AI slop episode artwork

EPISODE · Dec 15, 2025 · 37 MIN

The Stories of 2025 - Part 1: Megagigs, Grassroots, and AI slop

from Drowned in Sound · host Drowned in Sound

What were the biggest stories in music this year?  No, not the releases or the hype cycles but the forces reshaping how music is made, played, toured, and valued. In Part 1 of Drowned in Sound’s Stories of the Year, Sean Adams and Emma Wilkes count down stories #5 and #4, starting with a contradiction that defined 2025: record-breaking mega-gigs and billion-pound industry headlines on one side, and a grassroots ecosystem under existential pressure on the other. They talk through the “mega gig” (stadium shows, park festivals, corporate-backed cultural events) and also ask what their success is hiding. Taylor Swift-level touring power continues to drive economic growth but artists at every other level are cancelling tours. What is the purpose of growth if the foundations are cracking? From there, the conversation turns to AI. A now present-day force that is reshaping music. This is the year artificial intelligence stopped being theoretical and started demanding political, legal, and cultural responses. Stay tuned for Part 2 of the countdown. The Drowned in Sound podcast is presented in partnership with Qobuz, the pioneering high-quality music streaming and download platform for music enthusiasts and audiophiles. Each week we curate playlists on Qobuz, featuring our favourite records, artists, and the themes we explore on the show. Visit https://drownedinsound.org/playlists/ to discover new music in rich Hi-Res lossless quality and start your 30-day free trial of Qobuz at https://qobuz.com/dis. Edited by:  Josh Craggs at Dubble Audio Chapters 00:00 - Introduction 01:15 - Story #5 begins: mega gigs vs grassroots 02:10 - What defines a “mega gig” now? 04:11 - £8bn industry headlines vs lived reality 06:26 - Taylor Swift, scale, and monopoly economics 07:18 - Employment figures and the invisible labour of music 08:43 - Grassroots venues as cultural homes 09:32 - Inequality, wealth concentration, and responsibility 13:22 - How the industry decides who gets tipped 16:01 - Why discovery systems feel broken 19:30 - Story #4 begins: artificial intelligence enters music 23:19 - Consent, transparency, and “human-made” music 28:30 - Power, control, and social isolation 35:30 - Outro Continue the Conversation: Head to the Drowned in Sound community to chat about the topics in this episode. Subscribe: Get weekly essays, interviews, and insights from the Drowned in Sound newsletter - exploring music, culture, and resistance. Links & Resources: UK Music – This Is Music Report (Industry Growth Context) Competition & Markets Authority – Secondary Ticketing Investigations BBC – Ticket Scams and Secondary Resale Issues Fan-Led Review of Music – UK Parliament Music Fans Voice – Fan Campaigning for Fair Ticketing Independent Venue Community Music Venue Trust Youth Music – Rescue the Roots Campaign AI-Generated Music Appearing on Artist Profiles  Oneohtrix Point Never is searching for soul in the slop (Dazed) UK Music on AI Training Data and Copyright

What were the biggest stories in music this year?  No, not the releases or the hype cycles but the forces reshaping how music is made, played, toured, and valued. In Part 1 of Drowned in Sound’s Stories of the Year, Sean Adams and Emma Wilkes count down stories #5 and #4, starting with a contradiction that defined 2025: record-breaking mega-gigs and billion-pound industry headlines on one side, and a grassroots ecosystem under existential pressure on the other. They talk through the “mega gig” (stadium shows, park festivals, corporate-backed cultural events) and also ask what their success is hiding. Taylor Swift-level touring power continues to drive economic growth but artists at every other level are cancelling tours. What is the purpose of growth if the foundations are cracking? From there, the conversation turns to AI. A now present-day force that is reshaping music. This is the year artificial intelligence stopped being theoretical and started demanding political, legal, and cultural responses. Stay tuned for Part 2 of the countdown. The Drowned in Sound podcast is presented in partnership with Qobuz, the pioneering high-quality music streaming and download platform for music enthusiasts and audiophiles. Each week we curate playlists on Qobuz, featuring our favourite records, artists, and the themes we explore on the show. Visit https://drownedinsound.org/playlists/ to discover new music in rich Hi-Res lossless quality and start your 30-day free trial of Qobuz at https://qobuz.com/dis. Edited by:  Josh Craggs at Dubble Audio Chapters 00:00 - Introduction 01:15 - Story #5 begins: mega gigs vs grassroots 02:10 - What defines a “mega gig” now? 04:11 - £8bn industry headlines vs lived reality 06:26 - Taylor Swift, scale, and monopoly economics 07:18 - Employment figures and the invisible labour of music 08:43 - Grassroots venues as cultural homes 09:32 - Inequality, wealth concentration, and responsibility 13:22 - How the industry decides who gets tipped 16:01 - Why discovery systems feel broken 19:30 - Story #4 begins: artificial intelligence enters music 23:19 - Consent, transparency, and “human-made” music 28:30 - Power, control, and social isolation 35:30 - Outro Continue the Conversation: Head to the Drowned in Sound community to chat about the topics in this episode. Subscribe: Get weekly essays, interviews, and insights from the Drowned in Sound newsletter - exploring music, culture, and resistance. Links & Resources: UK Music – This Is Music Report (Industry Growth Context) Competition & Markets Authority – Secondary Ticketing Investigations BBC – Ticket Scams and Secondary Resale Issues Fan-Led Review of Music – UK Parliament Music Fans Voice – Fan Campaigning for Fair Ticketing Independent Venue Community Music Venue Trust Youth Music – Rescue the Roots Campaign AI-Generated Music Appearing on Artist Profiles  Oneohtrix Point Never is searching for soul in the slop (Dazed) UK Music on AI Training Data and Copyright

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The Stories of 2025 - Part 1: Megagigs, Grassroots, and AI slop

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This episode was published on December 15, 2025.

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What were the biggest stories in music this year?  No, not the releases or the hype cycles but the forces reshaping how music is made, played, toured, and valued. In Part 1 of Drowned in Sound’s Stories of the Year, Sean Adams and Emma Wilkes count...

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