The Tragedy of Old School Beijing Hip-Hop with Olivia Fu

This week on Sinica, I chat with Olivia Fu, who this spring completed her year at Schwarzman College and wrote her Capstone project — a research paper that is required of all Schwarzman Scholars — on the rise and fall of the Beijing hip-hop scene. We explore some of the parallels to Beijing's rock scene, and how many of the same factors that stifled rock in Beijing ultimately led to Beijing's relative decline as a hip-hop city. 3:16 – Olivia’s background and connection to China, and what drew her to the Schwarzman Program and studying hip-hop6:13 – Olivia’s Schwarzman mentor, Paul Pickowicz 7:47 – How Olivia dealt with censorship in her Capstone project 10:24 – The parallels and differences between the hip-hop and rock scenes in China12:27 – The dakou CDs and the origins of the hip-hop scene in China 17:03 – The influences of Japanese and Korean rap and hip-hop and Black American culture18:30 – The importance of studying Beijing hip-hop 23:05 – The spirit of Beijing and societal commentary in Beijing hip-hop 27:38 – The phenomenon of Rap of China 29:50 – The divergence of PG One and GAI, and the regulatory influence of the State Administration on Press, Publication, Radio, Film and Television35:13 – Sinifying hip-hop 37:21 – What the burgeoning hip-hop scene in China was like in the early 2000s40:10 – Critiques of the Beijing dialect in rap and the Beijing rap style 45:16 – Iron Mic rap battles and Shanghai, and Chinese hip-hop’s critique of the educational system 48:34 – Why Beijing rap declined 59:09 – What’s next for Olivia See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.