The Widow Paris

The dark arts used by sorcerers through the ages was often an amalgamation of ancient wisdom mixed with the dominate religion of the time. Abramelin said in his own book that his magic could be practiced by anyone who believed in God, be he Christian, Muslim, or Jew. A city on the bayou stands today, as it did one hundred and fifty years ago, as a microcosm of race, religion, and politics of America. New Orleans stood at the beginning of the 19th Century as a place were strange things were told on every corner. African and European, slave with free, Catholicism with witchcraft, blended into the most eclectic communities the world has ever known. In this community, a mixing of religions also took place, spiritual folkways of the African diaspora blended and was practiced alongside traditional Christianity, Voodoo wasn’t born in New Orleans, but it certainly was defined and took root there. And among its practitioners, Queens were often looked up to as leaders of a sort. People would come to them for advice or help, weather it was a jealous lover or success of their business, to purchase gris-gris, or to attend a ritual. And among all the Queens, one name stands above the rest, Marie Laveau. Music by Kevin Macleod https://soundcloud.com/kevin-9-1 "Shadowlands 1 - Horizon", "Shadowlands 2 - Bridge", "Shadowlands 3 - Machine", "Shadowlands 4 - Breath", "Shadowlands 5 - Antechamber", "Shadowlands 6 - The Pit", "Shadowlands 7 - Codex" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Devilrypodcast.com