EPISODE · Mar 27, 2026 · 50 MIN
Theatre of the Oppressed: Reflections and Provocations from an Artist/Researcher
from Practice As Research · host Nicole Brown
In this session Olivia Maurer presents her experience using practice as research working with participatory theatre in a traditional policy and social science context.Drawing on her ongoing doctoral research, Olivia shares insights on conducting practice as research and how the duality of the artist/researcher identity has impacted her positionality, duty of care, and outcomes of the project. The challenges and potentialities of engaging in PAR within a PhD process are also evaluated. This session also discusses how practice as research is not just a “nice to have” in an urban studies and cultural geography research landscape, but a needed contribution to the field. We consider how the body is a vital source of knowledge of place and a crucial lens through which we can gain a better understanding of place-based experiences. We also examine how creative practice facilitates a space where this embodied knowledge is able to be teased out and reflected upon.Olivia Maurer is a postgraduate researcher in Urban Studies and Social Policy at the University of Glasgow, with a background in public policy and arts-based community engagement. Her PhD works in partnership with the AHRC Place-Based Research Programme to build an evidence base of methodologies that are able to surface the “felt experience of place,” specifically focused on using Theatre of the Oppressed as both a research method and a policy engagement tool. Olivia is also a community theatre practitioner, with her work recently being showcased at the UK Parliament as one of 100 Creative Agents of Climate Change.
What this episode covers
In this session Olivia Maurer presents her experience using practice as research working with participatory theatre in a traditional policy and social science context. Drawing on her ongoing doctoral research, Olivia shares insights on conducting practice as research and how the duality of the artist/researcher identity has impacted her positionality, duty of care, and outcomes of the project. The challenges and potentialities of engaging in PAR within a PhD process are also evaluated. ...
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Theatre of the Oppressed: Reflections and Provocations from an Artist/Researcher
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