These California Composers Make Their Own Rules: Two Stories from the Archive

We start in Los Angeles with emerging composter Derrick Skye, whose fascination with the cosmos is woven into his music. When Skye began composing “Prism, Cycles and Leaps,” he watched YouTube videos about Jupiter and was captivated by the way the planet moved at different speeds. As a mixed race person, he resonates with musical traditions from across the globe and blends genres and forms. Music from India, the Balkans and West Africa form the building blocks of Sky’s music today. Reporter Clare Wiley tells us about Skye’s musical process and what he hopes people will take away from his work. Then, we're traveling up to the Bay Area to meet another California composer. Destiny Muhammad was nine years old when she first saw Harpo Marx playing the harp in an episode of “I Love Lucy.” She immediately knew she wanted to play the mesmerizing instrument. It took over two decades for the Oakland-based artist to start learning how to play the harp, but it set her on a path to pursue her unique “Celtic to Coltrane” genre, as she calls it. Today, Muhammad works as a composer, teacher and performer in the Bay Area, and writes original scores for her group, The Destiny Muhammad Trio. KQED’s Bianca Taylor brings us Muhammad’s story. Learn more about your ad choices. Visit megaphone.fm/adchoices