This Christmas weekend on ART ON THE AIR features host of the radio show Under the Influence, Terry O’Reilly, harp guitarist, Muriel Anderson, Spotlight on Benjamin Brobst-Renaud’s exhibit episode artwork

EPISODE · Nov 29, 2023 · 58 MIN

This Christmas weekend on ART ON THE AIR features host of the radio show Under the Influence, Terry O’Reilly, harp guitarist, Muriel Anderson, Spotlight on Benjamin Brobst-Renaud’s exhibit

from Art On The Air · host Larry A Brechner | Ester Golden

This Christmas weekend (12/22 & 12/24) on ART ON THE AIR features creator and host of the weekly radio show Under the Influence, Terry O’Reilly, discussing his over thirty year career in advertising and other podcast projects. Next, we have harp guitarist, Muriel Anderson whose newest album, Sailing Dreams was inspired by her sailing adventure. Our Spotlight is on Valparaiso University professor Benjamin Brobst-Renaud’s exhibit featuring an exploration of Artificial Intelligence. Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/show/art-on-the-air, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/show/art-on-the-air or brech.com/aota. Please have your friends send show feedback to Lakeshore at: [email protected] Send your questions about our show to [email protected] LIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR ONE, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR. https://www.lakeshorepublicmedia.org/show/art-on-the-air/2023-11-29/art-on-the-air-december-24-2023

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This Christmas weekend on ART ON THE AIR features host of the radio show Under the Influence, Terry O’Reilly, harp guitarist, Muriel Anderson, Spotlight on Benjamin Brobst-Renaud’s exhibit

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