EPISODE · Jul 8, 2026 · 29 MIN
Three Lethal Words
from Suspense - Radio’s Outstanding Theater of Thrills · host OTR.FM Network
Originally Aired: March 22, 1951 Suspense #421, "Three Lethal Words," stars Joan Crawford in a chilling tale of obsession and revenge. Jane Winters, a screenwriter recently recovered from illness, arrives at the office of Philip Lewis, now head of a studio story department. She pitches him what she claims is a new story idea about Sally Summers, a 43-year-old screenwriter married to Chris, an actor 19 years her junior. In Jane's narrative, Sally waits anxiously as Chris comes home late one night, and their confrontation reveals the cruel reality of their May-December marriage. Chris has endured constant mockery at the studio about their age difference, with colleagues making cutting remarks that compare Sally to his mother and reference Sunset Boulevard. When Chris announces he's leaving her, declaring he's finally gotten wise, Sally's desperate pleas turn to something darker. As Jane continues her pitch to Philip, the line between the story she's telling and her own life begins to blur in disturbing ways. Her nervous energy, the bottle of nitric acid she's carrying, and the intimate details she provides all suggest this may be more confession than fiction, leading toward a revelation about those three lethal words.
What this episode covers
Originally Aired: March 22, 1951 Suspense #421, "Three Lethal Words," stars Joan Crawford in a chilling tale of obsession and revenge. Jane Winters, a screenwriter recently recovered from illness, arrives at the office of Philip Lewis, now head of a studio story department. She pitches him what she claims is a new story idea about Sally Summers, a 43-year-old screenwriter married to Chris, an actor 19 years her junior. In Jane's narrative, Sally waits anxiously as Chris comes home late one night, and their confrontation reveals the cruel reality of their May-December marriage. Chris has endured constant mockery at the studio about their age difference, with colleagues making cutting remarks that compare Sally to his mother and reference Sunset Boulevard. When Chris announces he's leaving her, declaring he's finally gotten wise, Sally's desperate pleas turn to something darker. As Jane continues her pitch to Philip, the line between the story she's telling and her own life begins to blur in disturbing ways. Her nervous energy, the bottle of nitric acid she's carrying, and the intimate details she provides all suggest this may be more confession than fiction, leading toward a revelation about those three lethal words.
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Three Lethal Words
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