Tito and the Timbales - Part 2

Send us Fan MailThanks for tuning in. The Drums and Rums podcast is coming back from a hiatus with a great guest who continues the legacy of the king of Latin percussion and its also his father, out guest is Tito Puente Jr.Don't forget to LIKE this video and SUBSCRIBE to our channelHELP SUPPORT the podcast.https://www.patreon.com/drumsandrums/postshttps://cash.app/$drumsandrumsCHECK out  https://www.drumsandrums.com/FOLLOW us :https://www.instagram.com/drumsandrumhttps://www.facebook.com/drumsandrums/https://www.tiktok.com/@drumsandrumshttps://twitter.com/drumsandrumsDon't forget to LIKE and SUBSCRIBE to the YouTube channel and FOLLOW US ON APPLE PODCASTS or where ever you listen to podcasts and don't forget to RATE us a 5 star and leave us a review.  The Timbales! 1. Tito Puente and the Timbales: Tito Puente, hailed as the “King” of Latin music, left an indelible mark on percussion. His signature instrument? The timbales—a pair of cylindrical drums with a distinct sound. Tito Puente’s influence extended beyond Cuba, introducing timbales to audiences worldwide. Timbales Unveiled: What are they?Are played with the sticks and consist of two single-skinned, metal-shelled cylindrical-shaped drums. The "timbales" are actually a mutation of a drum that migrated originally out of India and Africa years ago in the shape of giant kettle drums that were strapped to the sides of camels, horses and elephants. Eventually this drum made its way to Europe and Spain, and had mutated and shaped to what is known today in Europe and the West as the, "Timpani" drums. Cuban music is a melting pot of African and Spanish (European) influences and cultures. The shells are made of either brass or steel and set on a stand. The larger timbale, called "hembra" (pronounced embrah), and the "cha cha" bell (smaller bell), are traditionally positioned to the left side of the "timbalero" (one who plays the timbales). The "macho" timbale (smaller drum), the "mambo" bell (larger bell), and the "cymbal" are traditionally positioned to the right of a right-handed player. "Cascara" literally means "shell" in Spanish, and the "paila" or cascara is the traditional pattern played by the timbalero player on the side of the macho timbale (smaller drum) It can also be played on the cymbal, cowbell or woodblock. In some cases, Cuban musicians will use the word "pailas" for the timbales and "cascara" for playing on the shell or sides of the drums. All patterns are based on the clave and emphasize the accents within the rhythm. Tito Puente’s mastery of these drums significantly shaped Afro-Cuban music in America. Tito Puente Signature Series Timbales: In honor of this iconic musician, Latin Percussion (LP) created the Tito Puente Signature Series Timbales. Available in brass, bronze, or stainless steel, these timbales capture the essence of Puente’s rhythm. Thunderous Beats: Puente’s timbales produce a deep, complex tone with exceptional projection. Their 15-inch and 16-inch diameters, coupled with 10-inch extra-deep shells, create a sound that resonates like thunder. Legacy Lives On: Tito Puente’s timbales continue to inspire percussionists globally. From the 1996 Olympic Games closing ceremonies in Atlanta to countless stages, these drums echo Puente’s enduring legacy. So next time you hear the rhythmic heartbeat of timbales, remember the man who made them dance—the incomparable Tito Puente.Tune in for part 3 of celebrating the life and music of Tito Puente.