EPISODE · Jan 13, 2013 · 17 MIN
TOMOKO MOMIYAMA (311 Fukushima podcast)
from webSYNradio
I Saw Time, under a Cherry Tree, pièce electro acoustique. I went to ask the trees in Paris what they thought about the situation in Fukushima. It was in the summer of 2012, over a year after the Great East Japan Earthquake and Tsunami. “I Saw Time, under a Cherry Tree” uses voices of these Parisian trees, as well as sound recordings from Fukushima, Tokyo, Aix-en-Provence, Geneva, and Paris. In Fukushima, I visited Bakkamiki in Minami-Soma, which is believed to be the birthplace of an old and mysterious children’s song called “Kanchororin.” Deep in a foggy mountain by a steep river, the forest of Bakkamiki is now too highly radiated for people to enter. Even in the rest of Minami-soma, and in many other parts of Fukushima, children cannot play outdoors for too long now due to high radiation. Projet Meanwhile in Fukushima : https://fukushima-open-sounds.net
What this episode covers
I Saw Time, under a Cherry Tree, pièce electro acoustique. I went to ask the trees in Paris what they thought about the situation in Fukushima. It was in the summer of 2012, over a year after the Great East Japan Earthquake and Tsunami. “I Saw Time, under a Cherry Tree” uses voices of these Parisian trees, as well as sound recordings from Fukushima, Tokyo, Aix-en-Provence, Geneva, and Paris. In Fukushima, I visited Bakkamiki in Minami-Soma, which is believed to be the birthplace of an old and mysterious children’s song called “Kanchororin.” Deep in a foggy mountain by a steep river, the forest of Bakkamiki is now too highly radiated for people to enter. Even in the rest of Minami-soma, and in many other parts of Fukushima, children cannot play outdoors for too long now due to high radiation. Projet Meanwhile in Fukushima : fukushima-open-sounds
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TOMOKO MOMIYAMA (311 Fukushima podcast)
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