EPISODE · Jan 3, 2015 · 16 MIN
TouchRadio 109
from TouchRadio · host Before Surgery
Field recording of fireworks on Saint John's Night, June 23, 2014, the local pagan inheritor celebration of the Summer Solstice. Recording by Heitor Alvelos on Bruce Geduldig and Bernadette Martou's balcony, Porto, Portugal. The vantage point, overlooking the tail end of the Douro river from a considerable height, allows the acoustic experience to become as impressive as the visual: the sound of the fireworks travels back and forth through the valley in considerable detail. Recent trends in mass entertainment have dictated the expectation for further ingredients of sensory input, i.e. the "pure" experience of the explosives shall not be enough. Cue the arrival of pop anthems as an added sound layer that, as far as acoustics go, can only be experienced as a distraction. This is the main reason for the dramatic pitch shift in the present recording: the sound fabric is brought down to the point where pop pap no longer hurts. In the meantime, a different landscape emerges, austere and foreboding. Edited by Heitor Alvelos in Sues, August 2014: the recording has been left unaltered save for a pitch shift of -77%. Mastered by Anselmo Canha in Porto, September 2014. Assisted at various times by Jos Maria Lopes, Teresa Serdio, Jos Canha, Antifluffy.
What this episode covers
Field recording of fireworks on Saint John's Night, June 23, 2014, the local pagan inheritor celebration of the Summer Solstice. Recording by Heitor Alvelos on Bruce Geduldig and Bernadette Martou's balcony, Porto, Portugal. The vantage point, overlooking the tail end of the Douro river from a considerable height, allows the acoustic experience to become as impressive as the visual: the sound of the fireworks travels back and forth through the valley in considerable detail. Recent trends in mass entertainment have dictated the expectation for further ingredients of sensory input, i.e. the "pure" experience of the explosives shall not be enough. Cue the arrival of pop anthems as an added sound layer that, as far as acoustics go, can only be experienced as a distraction. This is the main reason for the dramatic pitch shift in the present recording: the sound fabric is brought down to the point where pop pap no longer hurts. In the meantime, a different landscape emerges, austere and foreboding. Edited by Heitor Alvelos in Sues, August 2014: the recording has been left unaltered save for a pitch shift of -77%. Mastered by Anselmo Canha in Porto, September 2014. Assisted at various times by Jos Maria Lopes, Teresa Serdio, Jos Canha, Antifluffy.
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TouchRadio 109
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