EPISODE · May 26, 2010 · 41 MIN
TouchRadio 52
from TouchRadio · host Richard Crow
Imaginary Hospital Radio mimics and subverts conventional hospital radio and its aim to relieve its listeners/patients through the collaging and dissecting of the visceral and surgical sounds associated with illness and disease. The hospitals unwanted sounds and noise provide an unexpected artistic source, as a kind of sonic tableau an invisible operating theatre in which the sonic/audio auscultation/surgery occurs live to ear. Richard Crow is an inter-disciplinary artist with a strong background in experimental audio work, photo based media, live performance and site-specific installation. He utilises sound and noise in a performative way, for its spatial and subjective qualities and above all for its psycho-physical implications for the listener. Over the past two decades his solo and collaborative site-specific installations and performances have consisted of highly conceptualised interventions into base materiality, investigations of alternative systems of organisation and research into a certain material decadence, most notably with the project The Institution of Rot. Crow has collaborated, performed, and recorded with many leading musicians and sonic artists including Joe Banks, Adam Bohman, The Hafler Trio, Clive Graham, Michael Prime, Dean Roberts, Kaffe Matthews, Michael Morley, Sandoz Lab Techinicians, & dy'na:mo.
What this episode covers
Imaginary Hospital Radio mimics and subverts conventional hospital radio and its aim to relieve its listeners/patients through the collaging and dissecting of the visceral and surgical sounds associated with illness and dis-ease. The hospitals unwanted sounds and noise provide an unexpected artistic source, as a kind of sonic tableau an invisible operating theatre in which the sonic/audio auscultation/surgery occurs live to ear. Richard Crow is an inter-disciplinary artist with a strong background in experimental audio work, photo based media, live performance and site-specific installation. He utilises sound and noise in a performative way, for its spatial and subjective qualities and above all for its psycho-physical implications for the listener. Over the past two decades his solo and collaborative site-specific installations and performances have consisted of highly conceptualised interventions into base materiality, investigations of alternative systems of organisation and research into a certain material decadence, most notably with the project The Institution of Rot. Crow has collaborated, performed, and recorded with many leading musicians and sonic artists including Joe Banks, Adam Bohman, The Hafler Trio, Clive Graham, Michael Prime, Dean Roberts, Kaffe Matthews, Michael Morley, Sandoz Lab Technicians, and dy'na:mo.
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TouchRadio 52
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