TRAMPS6E02: Floris Olivier episode artwork

EPISODE · Jul 17, 2026 · 45 MIN

TRAMPS6E02: Floris Olivier

from TRAMP · host Marcel van Schooten

Een goed gesprek met Floris Olivier over zijn vroege liefde voor muziek en andere kunsten. De overgang van het podium naar zijn atelier. De prikkels en inspiratie van Berlijn. Ook de terugkeer naar Leiden en het opnieuw starten van huisje-boompje-kunst! Tenslotte ook nog de vraag: Wat nu? Verder ontwikkelen, blijven prikkelen en ambities.Floris Olivierhttps://www.instagram.com/florisolivier/

Episode metadata supplied by the publisher feed · Published Jul 17, 2026

Een goed gesprek met Floris Olivier over zijn vroege liefde voor muziek en andere kunsten. De overgang van het podium naar zijn atelier. De prikkels en inspiratie van Berlijn. Ook de terugkeer naar Leiden en het opnieuw starten van huisje-boompje-kunst! Tenslotte ook nog de vraag: Wat nu? Verder ontwikkelen, blijven prikkelen en ambities.Floris Olivierhttps://www.instagram.com/florisolivier/

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TRAMPS6E02: Floris Olivier

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01 - Section 01

Jan 2, 2026 ·6m

00 - Foreword

Jan 2, 2026 ·7m

02 - Section 02

Jan 1, 2026 ·7m

01 - A Pivotal Day

Jan 1, 2026 ·8m

03 - Section 03

Dec 31, 2025 ·17m

Turn over the book huangzhengxiong Adventure category:The Valley of Fear By: Sir Arthur Conan Doyle (1859-1930)Tom Swift in the Land of Wonders By: Victor Appleton (1873-1962)Revelations of a Wife By: Adele GarrisonTarzan and the Jewels of Opar By: Edgar Rice Burroughs (1875-1950)The Adventures of Gerard By: Sir Arthur Conan Doyle (1859-1930)The Amateur Cracksman By: Ernest William Hornung (1866-1921)A Tramp Abroad By: Mark Twain (1835-1910)The Poison Belt By: Sir Arthur Conan Doyle (1859-1930)Jungle Tales of Tarzan By: Edgar Rice Burroughs (1875-1950)Robin Hood By: J. Walker McSpadden (1874-1960)The White Company By: Sir Arthur Conan Doyle (1859-1930)In Search of the Castaways By: Jules VerneAn American Robinson Crusoe By: Samuel B. AllisonThe Life and Adventures of Nat Love, Also Known As Deadwood Dick By: Nat Love (1854-1921)The Riddle of the Sands By: Erskine Childers (1870-1922)The Red Badge of Courage By: Stephen Crane The Autobiography of a Super-Tramp by William Henry Davies Mentor New York The Autobiography of a Super-Tramp is an autobiography published in 1908 by the Welsh poet and writer W. H. Davies (1871–1940). A large part of the book's subject matter describes the way of life of the tramp in the United Kingdom, Canada and the United States in the final decade of the 19th century. George Bernard Shaw had become interested in Davies, a literary unknown at the time, and had agreed to write a preface for the book, largely through the concerted efforts of his wife Charlotte. Shaw was also instrumental in keeping the unusual title of the book, of which Davies himself was unsure, and which later proved to be controversial with some reviewers. The book was the third published by Davies, having been preceded by The Soul's Destroyer (1905) and New Poems (1907). The 1920 edition of the book concludes with five poems selected by Davies from The Soul's Destroyer. The book was written in the space of six weeks, "a great achievement for a first book by a man with the minimum of e Ports of Call Radio Show! Radio Shows of the Past! An obscure series from 1935 or 1936 in which each episode deals with a voyage to a different country where events of that country's history are dramatized. They each begin with the low moan of a tramp steamer's whistle and the announcement of the series title, followed by a musical interlude. The Awful German Language by Mark Twain Loyal Books This long essay is a work of mock philology, one of several appendices to Twain’s travel novel, A Tramp Abroad. In it, Twain explains, complains about, and shows how one might improve upon various aspects of the (awful) German language. His examples of precisely how the German language is awful include the famed “separable verb” – which allows one to put the first part of a given verb at the beginning – and its second part at the end – of a given clause or sentence (which may, indeed, be very long). He also makes fun of the extreme length of certain compound nouns (which are created by tacking two – or more – words together, without using hyphens to clarify where one ends and the next begins), as well as the many noun and verb forms one must master (memorize) in order to use German cases properly.As the essay progresses, Twain includes a few hilarious passages that are partly or mostly in (his own, awful) German. Nevertheless, the work is easily understandable even by people who don’t

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Een goed gesprek met Floris Olivier over zijn vroege liefde voor muziek en andere kunsten. De overgang van het podium naar zijn atelier. De prikkels en inspiratie van Berlijn. Ook de terugkeer naar Leiden en het opnieuw starten van...

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