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As Desiree would say, you gotta be, and as K7 would encourage, you gotta come baby come and join in on the fun of the One Hit Thunder podcast. Meanwhile, in New Jersey. So Marissa, what talking points do you want to hit on in this week's episode? Well Jackie, let's talk about how the film addresses the patriarchy.
Ooh, and representation of marginalized people. Ooh, and even philosophical ramifications of good versus evil and horror. We can point out the triangle boobs, talk about the blood splatter, and ugh, the practical effects. Ugh, and also the male gaze?
My gaze at the males. Hi-yo! From feminism to fan-girling, the Jersey Ghouls cover all the bases apart from a woman's perspective. New episodes are uploaded every other Sunday.
And we're going to search Jersey Ghouls to find us on social media and your favorite podcasting out. So it is the start of listener-submitted week, and we're kicking it off with fucking tremors from 1990 starting Kevin Bacon and Fred Ward and a whole bunch of other great people. It's probably the one we're most excited to talk about during this month. So let's just get it out of the way, guys.
Wait, are we? I'm certainly not excited about the next two weeks before the movie. So I mean, we're ending on a solid note, but I also remember that movie kind of sucking too. So here we go.
Let's go to the email that we got from Eric Cox, a great last name. He said, Hey guys, new listener here. I started with episode one on your show last Friday, December 8th, while looking for a new podcast to listen to at work. And I'm at episode 48 already in love every minute of it.
I'm not sure if you'll eventually cover any of the Tremors franchise. This goes your part one is my favorite of all time. Look forward to hearing the rest of the episodes as I move forward through them. Well, Eric, when we voted tremors was just sticking out there like a sore thumb among a pile of shit.
So of course we were going to vote for it. Let's talk about tremors, dude. This movie's fantastic. Like I think it still holds up incredibly well.
I'm so glad that we're in agreement by. This movie is like the last movie I want to do on this podcast because it is not such a bad movie. Like it's not so bad or boring or bonkers to riff on, but it's also not so great to like brag about for me. Like it's just like, like I watched this movie for the first time in a very long time, expecting I was going to be like so jacked up and I ended and I was like, Okay.
All right. So it seems like I'll be taking command of dragging us through this. So I will say right out the gate, regardless how you feel about the movie, can we all agree that the VHS cover and the DVD cover is like one of the best pieces of box art that's ever been made. Dude, the fucking grout.
It's could actually look like that. Yes. It's just a giant version of one of the tentacles with teeth I finally realized because I was like, that looks nothing like any of the tremors. I'm like, Oh, it's one of the fucking things in their mouth that they threw teeth on it.
It looks also just like the nostalgia factor of just the box art. It just makes me feel like 1992 or whatever. You know, I get just feels so 90s to me and it's great. Like I have a great emotional connection with this film and I really wish I hadn't rewatched it for the show because it doesn't hold up in my opinion.
Like the the Grabaway like the creature designs fun, but the this movie drags ass. You see, and I I had not good. I had the completely opposite thought. One of my first notes says like the first 20 minutes of this movie just flies.
Yeah, that's not the whole point. The point is like the pacing for the pacing when I complain about pacing on our podcast and I do it a lot. I mean, I complain about a lot of stuff on our podcast, but I mean, pacing I think is my number one gripe because it really is what makes the movie easier, hard to watch. But like I just feel like if you start off strong and then you start dragging ass in the second act because you don't know how to get yourself to the hour mark so that you could then have 20 minutes of sweet shit.
This is kind of a siege movie. I don't like siege movies. They're just kind of like that's what I hate about zombie flicks is that it's okay. We got to deal with these people arguing and trying to decide what they want to do to get out of the situation.
Okay. I don't give a fuck about that. I just want to see the monsters. So here's my notes on the early part of the movie because I think we can all agree that at least the first 20 minutes of this movie is pretty hard to complain about.
Wait, wait, wait, wait. If your first note isn't Fade In Kevin Bacon Pissing. I first note is Kevin Bacon Pissing. I agree.
I mean, but we don't get a cock shot because this isn't Hollow Man. So apparently, so when I was doing research for other purposes, the opening... What? Who you wanted to go pick as penis?
Yeah, no. That's what I was looking for. The movie didn't originally start with Kevin Bacon Pissing. The original script actually had a like hobo in town getting taken down on like pulled under right away, but they thought that it was a little too mean-spirited to kick off the movie that way.
So they just jumped right into Kevin Bacon Pissing because they felt like it kind of fit more of the comedic tone of the movie. Yeah, okay. But the... I feel like this movie in the first 20 minutes does a really good job from a script writing standpoint of you introduce all of these characters, you introduce all the different things that make them their unique characters.
Like you introduce Bert and Val and Ernie Erl and like all of these characters and right out the gate in the first 20 minutes, you're kind of like, okay, that's the gun nut. These guys are the handymen. They solve things with rock, paper, scissors, which is going to become like a reoccurring theme throughout the movie. Like they introduce all of these pieces in a very realistic way that makes all of the characters feel human, which right out the gate is a big benefit over 99% of the movies that we watch with none of these characters.
Like robots? This feels like an actual small town and I kind of like it. My next note immediately after that though is Jesus Christ Melvin sucks. Like he is the worst person in film.
He sucks so hard. But I guess that my... I just want to like riff for a second that I do really appreciate this from a character development and screen writing perspective, but that has nothing to do with the pacing. You know, like it's totally fun.
If we wouldn't have had them stuck in the goddamn store, this movie would be so much better. Yeah, it's weird because the store slows it down, but I love when the three of them were stuck on the rocks. Like there's like these weird things where it works and then other times where it does it. Yeah, but I get the love for this series because it's very tongue-in-cheek.
And it's very obviously tongue-in-cheek, but it's supposed to be like, god, you know, I guess the horror comedy. I mean, all the tremors movies are very meta. I mean, the later ones are especially meta. Like they realize that they're living in the real world and so I feel like they're real world reactions to the crazy shit that happens with the Graboids.
And it's like once it's once they realize that there are monsters, they're like, well, there's no point in us bothering to like wax poetic on where they came from because we're in a life or death situation. I love that. I mean, there's something about this movie and this series I suppose from like a from a characterization perspective that I love, but I just can't come back to this really anything in the franchise. I just can't come back to them and be like, I really want to watch that again.
This is kind of the thing where I'm like, when people talk about it at a con, I'll be like, oh, tremors, yeah, but I don't, you know, watching them in retrospect is or like watching them is just harder. We had these the same way we had our whole family. We always own just bootleg copies of things. And I think that we had a tape of the first three back to back that he still watches.
We definitely the first two. We definitely the first two. I don't know if we had the third one. I know I saw the third one.
I don't think I've ever seen four or five. There's a sixth one that just came out too. Oh, for Christ sake. I don't have much to say about this movie.
I'm sorry. You'll get the they'll be moments where you'll feel like you have to chime in. I'm sure. I'm going to say we get a bunch of deaths like in rapid succession.
Okay, but that's death in this movie is absolutely well, it's not even it's an off screen death, but when they go up and they find the dead body. Just dangling from the power lines. That is a really great piece of tension, you know, because you know as the viewer, even if this was your first time seeing the movie, you know that's a dead body because you have the you know that you put in a movie called tremors, you know, but I love it. It's just such a great scene.
And that's what this movie is. It's a bunch of great scenes, but it's strung together with such shitty glue. Yeah, I always liked I was like farmer Fred's head in the sand. Oh, yeah, that's pretty sweet, which I think it's just the P.E.
Herman fan of me, but I was very upset that there wasn't a point where they rhymed a bunch of things in dialogue where he was just like, Fred's dead. We found his head. Oh, we got the fuck off of our podcast. What is a huge curveball?
As you see, like the characters in this movie and you can always pick apart who's going to die and you see Michael gross as character and you're like, Oh, he's done. And this motherfucker makes it through like four movies. He is. Isn't Michael gross in his number six?
Yeah, so he made it to all of them then. That's one thing that this franchise really does. I don't know if I want to say well, but it's what it does is they are like 100% about fan service. I love Michael gross as character.
Like, even if I was to stop liking the film, tremors, I would still be like, yeah, but Bert is just fucking a really well done character. The scene, let's jump towards the end real quick, but the scene where like he's not understanding that there's monsters underground and the tremor burst through their bombshells and they've just got a wall of guns, like hundreds of guns. And then they're driving away and he's just like doing this little lament where he's just like enough food for five years. Yeah, more more stuff that we can ever goddamn underground monsters.
I got to say, there are a few things quite as 90s as having his wife be played by fucking Reba McIntire and then her doing the closing credits song. Yeah. So fun fact, I was doing some research on the people who made this movie. So the writers of this movie continue to write all of the tremors films and even directed a few of them, but they also wrote ghost ads starring Bill Cosby immediately after this.
But what makes a lot more sense is the director of this movie followed it up by directing city slickers, which like God, that makes absolute sense. Like it fits so much tonally with everything. Yeah, I would have loved the city slickers. What?
I want to do city slickers. Okay. Hey, are you thinking about city slickers? City slickers to the legend of Curly's gold with John Lovitz.
Boom. God, you know what's going to happen is that he's going to pick one of those goddamn things for Patrick on here's the city slickers to we can get a good episode out of city slickers. One is just a decent movie. No, I don't want to watch Billy Crystal in anything.
See, but you don't understand if there's any I can connect to John Lovitz. I'm going to I'm going to watch that movie, which isn't a good idea because John Lovitz doesn't make a lot of good. I'd argue he has a high school high. What you need to know about Brian and I sense a few more in relationship is that yesterday out of nowhere, I just messaged him Dr.
Evil's full speech about his childhood from the first Austin Powers thing he would woman eyes he would drink. He made outlandish remarks like he invented the question. Sometimes he would accuse just nuts of being lazy. Say what you will about Michael and the awesome powers franchise, but there's some mother fucking gold.
There's moments like that that are just so absurd and just swinging for the fences that it works. Anyway, back to tremors, which is not absurd or just not swing to the fences. They find Edgar's dead body. They find the farmer's head underneath his hat in the sand, which I still love that moment.
And then the construction workers immediately get killed in the closest thing that we have to blood, which is like a little bit of red meat inside of a construction helmet. Also very serious. Huge style bonkers where he just pulled with the hose down there. So then there's the whole sequence, which I really enjoy where they get back to the convenience store and they've got two of the tentacles dangling on the back of the truck.
There's like that awkward bargaining over how much they're going to make on them with Victor Wong. They're sold themselves. They super it was $10. It's slurpy.
$10.00 in slurpy. And then they give themselves a very like, yeah, we did it. Look like I think I like the look that they give each other. That's why I really enjoy that scene.
I think I couldn't find this anywhere, but I think Brian can defend this and I think Scott probably could too. I don't know. But every time that the next scene pops up in the movie where the doctor and his wife are in the truck and the truck gets pulled under in the sand, they use that scene for commercial before. And I can't remember what it was for.
I want to say it was for car insurance, but like there was just a commercial that was just the scene of the girl's car getting pulled under by a tremor and then it just said like, Geico across the front. That sounds like bullshit. Yeah, I can't back you up on that. Fuck, I remember that it was all the time in this area and I googled for like two hours trying to find evidence.
It doesn't exist on the internet. It didn't exist. Yeah, it probably didn't happen. If it doesn't exist on the internet, there'd be some other asshole and write it that's writing about it.
And if that's not there, then yeah, I think you're thinking of things. But yeah, so then they finally kill the first of the the graboids, I guess we'll refer to them. And there's a couple great lines of dialogue in there. They get their only fuck you in the movie.
This movie I've noticed in I didn't notice it as a kid, but watching it now, I can tell that this movie was shot as an R-rated film and then recut to be a PG-13 film because there's a lot of like weird replacements of fuck in it. And I feel like it cuts really quick before like it could get gory. But yeah, there's the scene where Earl asks the grad student, Rhonda, you ever see something like this? And Kevin Bacon goes, yeah, all everybody has.
They just haven't told you about it yet. But I still think the design of this creature looks great. Like I think that it looks like they did the whole movie with only one creature, which I thought was kind of interesting. And they just kept reusing it for all the different scenes because it was made on like this movie was made for a million dollars.
It was made on a super small budget for like a universal picture. But yeah, I think that for the little bit of money that was put into making this film, it came out looking really great. And they looked better as the franchise went on. I think in the third one, I've seen the third and maybe the fourth one and I know that they started using CGI creatures and that like.
Did they do that the third one? I feel like the third one was the last puppet. Tremors three, the last puppet. Also I super undersold this movie was 11 million, not 1 million.
Oh wow, yeah. That makes more sense, especially because it's got Kevin Bacon. I mean, if Edward had that weird time in the 90s when people gave a shit. He did this and then he did Nicki Gun 3 and people stopped caring about Fred again.
Yeah, although Nicki Gun 3, yeah, 33 and a third, right? Yeah, but he needed it. It's a big comeback in road trip. Oh my god.
Fun fact about Nicki Gun 3, the Nicki Gun franchise, most people don't know. Weird how young Kevin Bacon has a cameo in every movie. Of course, you know that though. Since we're doing fun facts, I think this is appropriate time for fun facts.
Kevin Bacon is the star of this movie and he is also a star in a Christopher guest movie called The Big Picture and in that Elliot Gold is actually, he's uncredited, but he plays the judge in that and Elliot Gold was in this movie that was never released called Noah where he played the voice of God and actually the person who played the voice of Noah was Michael Keaton who was in Beetlejuice. That is my sixth degree of Beetlejuice for this episode. Is that what we're really doing from now on? I think that's what I think is going to do it out there.
What, you're going to be spending that mental energy on something else? Come on. Well, this was easier because there is a six degrees of Kevin Bacon website, but the rest of this stuff I actually really have to try and our next episode is bonkers. So I don't know who is.
I feel like I know there's two people. Oh, I could get you to be able to do pretty quickly with one of the cast members of next week's movie. Anyway, I was like, where is he going with this? And then he got to Michael Keaton.
I was like, oh, that's right. He said he was going to start doing that. So the three of them discover about the tremors. I think even the design of the creatures like very well thought out, like a little fins that make them go faster and all that stuff.
But they end up on rocks, which is the scene that we talked about a little bit earlier, where they're all just kind of spitballing ideas, but none of them are really taking it seriously because it's not really important where they came from. It's just important that they get away. And I feel like that scene was in another movie too that we've talked about. And I can't remember what.
But oh, Kill Constrider's Face. Kill Constrider's face also has like a similar episode moment where they're all just like trying to figure out why where the clowns came from, but it doesn't really matter. But there's a scene where they realize that they can pull to all the different rocks to get into the truck. And then Rhonda is like driving the car through the back window, which is just kind of entertaining.
And then this is about the point where the movie takes a real crawl for about 25 minutes. We got Pogo. Do we miss the part where they're stuck on top of the store and everything like that? No, no, we're getting there.
Jesus Christ. We got Pogo Stick Girl. Yeah, that's the girl from Jurassic Park. Yes.
The Pogo Stick gets eaten and then spit out right away. Melvin's dad dies. Unfortunately, Melvin still lives. Keep Melvin is such a douchebag.
And somebody said, I do have a line that says, Melvin, one of these days somebody's going to kick your ass. And then I have another one that says, that means we're stuck. That pisses me off. The one line that I love about Melvin is when they're trying to go as a distraction goes, we need to make a distraction.
Hey, Melvin, you want to make a buck? There's one moment with Melvin that I laugh at every single time and I don't think I'm supposed to laugh at it. But it's after Burke kills the tremor and there's two things back to back. This is my favorite line in the entire movie with them making going.
Be warned, there are two more repeat two more mother humpers. And then everyone's celebrating that they killed one and it just cuts to Melvin on the roof of this building and he just goes, all right dude with like a thumb up. The most awful 90s thing I've ever seen. Are you forgetting the entirety of arcade?
Oh, that's true. I think that movie out of my life. I have a note that says, Ron is kind of cute and I'm not just writing this because she currently has no pants on. Yes, so she had to take her pants off and I hate that.
It's not, I don't know. She's a scientist for God's sake. Put some damn khakis on. There's another line from Burt where they're waiting for that.
So they decide to get a, they call it the wild cat to pull a beat up truck behind it and they're all going to ride in the truck through the mountains and get to safety. And that's the scene where they're going to pick up Burt from his bombshell there and he keeps shooting at the ground hoping to kill another one and finally Reba Bakin Tyer yells at him and goes, damn it Burt stop and he goes, I think I scared it. I just love how insane Burt is about this movie. He gives Melvin the gun with no bullets, which I remember being hilarious when I was 10.
But the less, the less not the, the less not the, the less that I have is like Kevin Bacon's plan at the end of this movie fucking sucks. Like it's stupid. It's a dumb plan. But that's the thing is I feel like most of these plans are fucking stupid.
But most of them work. It's like, hey, we're going to feed it a bomb and it'll blow up. I'm like, okay, I can understand the logic of that. My last two notes just kind of show how disappointing the end of this movie is to follow up on you not liking Kevin Bacon's plan.
So that the last when they do blow up the final third and final graboid or is it and it looks like a straight dog turd like it looks like a 25 foot dog shit. And I'm like, man, that's I've never picked up on quite that big. But there's so much force cheering in this goddamn movie. Oh, right dude.
Yeah. That's how I feel about finishing this movie. No, it's forcing me to tell you about it. Do you like the laugh geek out on music and learn all about that band or artist who had that one song back in the day, but then seemed to fall off the face of the earth?
And so you need to subscribe to One Hit Thunder. Together with an array of interesting and hilarious guests, we do a weekly dive into One Hit wonders like Eiffel 65's Blue, Creschons, Duchy, Yuchy, E.M.F.'s Unbelievable, Delamitries, Roll to Me, Los Del Rio's Macarina, Musical Youth's Past Adachi, and even Patrick Swayze, She's Like the Wind. So are you subscribed to One Hit Thunder or what? As Desiree would say, you gotta be.
And as K7 would encourage, you gotta come baby, come and join in on the fun of the One Hit Thunder podcast. Meanwhile, in New Jersey. So Marissa, what talking points do you want to hit on in this week's episode? Well, Jackie, let's talk about how the film addresses the patriarchy.
Ooh, and representation of marginalized people. Ooh, ooh, and even philosophical ramifications of good versus evil and horror. We can point out the triangle boobs, talk about the blood splatter, and ugh, the practical effects. Ugh, and also the male gaze?
My gaze at the males. Hi-oh! From feminism to fan-girling, the Jersey ghouls cover all the bases apart from a woman's perspective. New episodes are uploaded every other Sunday.
Just search Jersey ghouls to find us on social media and your favorite podcasting app. Ugh, the smell of the video store. I love this place. Do you remember when you could just look at the walls of covers?
We had to choose just by looking at the cover and reading the crappy synopsis. It was, you were leaving with one. And the only way to know what new movies were coming out is you actually had to watch the trailers instead of skipping them. Right, we didn't have the internet to look it up.
We had one guy named Todd behind the counter that would tell us what was good or not. Todd's strangely like way too many romantic comedies. Yes, but you always knew when the movies were coming because Todd made sure. Oh, and remember all the awful CG we had to put up with in the mid 90s?
We talk about that a lot, don't we? Join us on analog Jones in the Timbo film where we talk about VHS tapes. And we wax nostalgia like none other. Alright guys, so we're going to try something new because the way that we record these episodes and stuff like that, it's very hard for us to do the What Are We Watching this week.
We're actually moderately timely. So what we're going to start doing is there's going to be a bonus episode once a month of What Have We Watched, which will be kind of a round table of us talking about what we watched this month outside of the movies. And then for the people who care about what we've been watching, they can listen to the people who don't, you don't have to stop the episode with the last 20 minutes still in time. So because that's what our analytics show us that at least a small percentage of you do.
So what I came up with and I think that this is going to be fun is we're going to do What's Your Double Feature. So whatever the movie is that we watched, what would be your ideal double feature? Like this was your A movie, what's your B movie? Or vice versa, this was your B movie, what was your A movie?
So I'm going to start to kind of give a rough idea of how this is going to go. For me, I wrote down because I did a bunch of research, right? And one of the original names for this movie was going to be Land Sharks. And this movie is going to know Maj, all of Universal's other films.
And you might think I'm crazy, but if you think about it, this movie follows Beat by B. Jaws. So that is going to be my A movie. It's got the creature POV shots.
It's got the bumps in the ground, kind of like the yellow barrels letting you know where the sharks at. Even the way the characters get attacked is very similar to people getting attacked in Jaws. So Jaws is my double feature with tremors for this one. So how many times do you think you're going to pick Jaws as your double feature?
It might be pretty often. I got it for the next four movies. I'll go next. And I feel like I'm spoiling something for you, Matthew, but I feel like after seven plus years of doing this shit with you, you deserve it.
I'm going to pair this with Shrieker. Okay. Shrieker's. That's that sci-fi one where the little screamers.
Screamers. Oh, screamers. Yes. Sorry.
That would be sucks. Coming soon to Blu-ray from Scream Factory. Well, Scream Factory obviously, it's terrible taste. So yeah, screamers is this 1996 sci-fi horror movie I want to say.
It's a 1996, but it's like on this other planet and these, what was the point of their little these little cybernetic robots? I think they were supposed to like, I think they're there to like wipe out humanity, but they can't see and it's like all robots. And if they find a human, they like start screaming and then all of the other robots know where the human is to come and kill them. Like, I can actually see why you picked this.
Yeah, but spoiler, spoiler alert that there are now, they have been able to make different kinds of Shrieker or screamers and there's a human screaming. So I want to see if you can grab one. So I don't know if I would do A or maybe you start with tremors to lull your, your friends or enemies into a sense of security because it's everybody likes tremors. Yeah.
Like I got your B movie here. Yeah. I actually do the zipper, the threatening zipper from howling to you. But no, I, I, you loom into a sense of security with tremors and then you toss on screeners and they're like, man, I think that our relationship needs to be reassessed here.
All right, Brian, what's your double feature? So this will show why I don't have many friends. And it's just the timing thing. It just, it just happened that I watched a specific trailer the same time I was watching tremors, but anyway, so as we discussed Riva, McIntire's in this movie, I'm not sure.
Okay. So as we discussed Riva, McIntire's in this movie, and she was also in a little movie called The Little Rascals and she was a race car driving the Little Rascals and that was the first year that would have been the first time that I thought of the Little Rascals in about 15 years, except I recognized the kid that played Alfa was in a trailer I watched in an episode before that I mentioned the Monster Scary Little Christmas and therefore that would be my double feature. That is the most of scare double feature. All right.
If you go on our Twitter account, Twitter.com, max slash hmn podcast, you'll see a poll with our three with our three double features. Vote for what you think is the best double feature with Jaws. Is it with tremors? Sorry, with tremors.
You're already ruining it. You're setting them up to pick Jaws. Just call screamers or the monsters. Christmas.
All right. Well, that was tremors from 1990 as picked by Eric. Thank you, Eric. Please continue to submit suggestions because this was still the best of the four as far as I see it.
We will be back next week with another film that was picked by one of you guys and I'm just so excited about it. I could dance. No. If you would like to have a movie selected for one of our, you know, by yearly listeners submit it months, send us an email at hmn podcast at gmail.com and just hang out with us on Facebook and Twitter and Instagram and all that cool stuff.
And apparently I should be telling you to rate and review us on iTunes. So I do that also. Oh, also just heads up. If you're a listener on SoundCloud at the end of the month, we're going to be shutting, not shutting down.
The episodes will still be up there, but there won't be new episodes. If you want to listen to the show every week, we highly recommend that you subscribe on iTunes. We're going to be moving to a platform called Pine Kest, which unfortunately one of the downsides is that it's not a user platform in the way SoundCloud is with the shareability. It's kind of more of just a place to put all of your information with the RSS feed, but the benefits are astronomical for us.
So we'll be posting the website instead for you guys to go and listen to the episode on the Facebook page and Twitter, but subscribing to iTunes is great. And this will also allow us to eventually fingers cross get our show on Spotify. So stay tuned for that. We'll let you know when and if we end up on Spotify.
We probably will though through Pine Kest. So please take some time if you're a SoundCloud listener to go ahead and subscribe to iTunes. And while you're doing that, why not just rate and review us too. It'd be great.
All right. Thanks guys and have a good one. It was great because you heard the first part of you saying shit and then it just went silent. We hit our P-13 quotient.
Yeah. You're the same to the V-C that worked. Do you like the laugh geek out on music and learn all about that band or artist who had that one song back in the day, but then seemed to fall off the face of the earth? If so, you need to subscribe to One Hit Thunder.
Together with an array of interesting and hilarious guests, we do a weekly dive into One Hit wonders like Eiffel 65's Blue, Kreshaun's Yoochie, E-M-F's Unbelievable, Delametries Roll to Me, Los Del Rio's Macarena, Musical Youth's Past, the Duchy, and even Patrick Swayze's She's Like the Wind. So are you subscribed to One Hit Thunder or what? As Desiree would say, you gotta be. And as K7 would encourage, you gotta come baby, come and join in on the fun of the One Hit Thunder podcast.
Meanwhile, in New Jersey. So Marissa, what talking points do you want to hit on in this week's episode? Well Jackie, let's talk about how the film addresses the patriarchy. Ooh, and representation of marginalized people.
Ooh, ooh, and even philosophical ramifications of good versus evil and horror. We can point out the triangle boobs, talk about the blood splatter, and ugh, the practical effects. Ugh, and also the male gaze? My gaze at the males.
Hi-oh! From feminism to fangirling, the Jersey Ghouls cover all the bases apart from a woman's perspective. New episodes are uploaded every other Sunday. Just search Jersey Ghouls to find us on social media and your favorite podcasting app.
You're listening to the Geekscape Network.