EPISODE · Nov 1, 2020 · 29 MIN
Tricky timing
from The Listening Service · host BBC Radio 3
Two, three and four beats in a bar are pretty standard in music. But what happens when a composer decides to go with 7 or 5 or 13 as the underlying structure? And why would they do that? Tom Service talks to composer Anna Meredith and conductor Martyn Brabbins about the fascination and challenge of the off-beat beat.
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